tag:blogger.com,1999:blog-20388695134743041262024-03-14T11:01:37.182+01:00Appearances of the PoliticalCollective for research and investigation in contemporary cultureUnknownnoreply@blogger.comBlogger20125tag:blogger.com,1999:blog-2038869513474304126.post-73870768796123482582019-11-27T15:22:00.001+01:002019-11-27T15:22:09.837+01:00Call for proposal, presentation and presence<strong>Call: </strong>Winter Symposium: 28 February – 1 March, 2020<br />
<strong> </strong><br />
<br />
<strong>Representation of the City: Imagining and Reimagining Cityscape</strong><br />
<strong><em>Urban Studies: Between Creativity and Power </em></strong><br />
Riga, Latvia
<br />
<strong>Theme of the symposium: </strong><br />
<strong><em>Representation of the City: Imagining and Reimagining Cityscape</em></strong><br />
<br />
Increased global urbanization processes not only have increased the
movement to the urban settlements, but also created a plethora of new
patterns of everyday living, including increased mobility within the
physical and virtual spaces creating and erasing paths and directions.
This symposium is focused on the spatially and temporally
multidimensional perspectives between (re)imagining and inhabiting the
city defining how we see, feel, experience and move through spaces.
There are diverse forms of imagining that are entwined with practices of
urban living and governance which structure how the city appears in
different media and genres. The participants of the symposium are
invited to address the questions of various spatio-temporalities of the
urban environment to explore visual representations and contestations of
the city. How does the image of the city emerge and perform in the
visual field? How is it possible to reconfigure the possibilities of
political representation? How through architecture, landscape and urban
design we can rethink our spatial behaviour and language establishing
values and hegemonic world-views?<br />
The symposium topics of exploration include, but are not limited to:<br />
<ul>
<li>visualizing/representing the city, the visual politics of the city;</li>
<li>political representation and subjectivity of the city;</li>
<li>collaborative aesthetics and new artistic modes in the representation of the city;</li>
<li>material landscapes of the city and urban space;</li>
<li>creative responses to inhabiting the city;</li>
<li>alternative ways of living;</li>
<li>social imagination / geographical imagination.</li>
</ul>
<strong>Format of the presentation</strong><br />
We encourage participants to do both traditional and non-traditional presentations.<br />
<br />
1) Presentation of ideas:<br />
We strongly encourage giving a free oral presentation rather than
reading a paper. We wish to facilitate open debates for sharing and ask
for presentations creating platforms for debate. A presentation cannot
exceed 20 min; however, shorter presentations are also welcome to
provide a catalyst for a discussion around an idea.<br />
<br />
2) Performance, object or alternative forms:<br />
You can present ideas, examples or reflections through other formats
including inviting the participants to engage in experiments,
situations, or individual and group activities. Please indicate the
optimal time for this form of presentation; however the maximum time is
30 min.<br />
<br />
<strong>To submit a proposal, please send</strong> <strong>it</strong> <strong>via email </strong><strong>to the coordinators Laine Kristberga and Anete Uš</strong><strong>č</strong><strong>a (</strong><strong>circle1nsu@gmail.com</strong><strong>) </strong><strong>by </strong><strong>15 December 2019</strong><strong>:</strong><br />
<ol>
<li>A written proposal <strong>(max. 350 words)</strong>. This should include a title and a short description of the topic, its format and its duration.</li>
<li>A short bio <strong>(max. 200 words)</strong>.</li>
</ol>
If you would like to attend the symposium without presenting, please
email a short bio. Participants with presentations will be given
priority.<br />
<br />
<strong>The deadline to submit proposals is </strong><strong>15 December 2019</strong><strong>. </strong>Accepted
applicants will be informed by e-mail and a preliminary programme will
be announced on http://nordic.university, where you can also find more
information about NSU and sign up for the newsletter. The preliminary
programme will be published by 30 January 2020.<br />
<strong>The deadline for registration is </strong><strong>15 January 2020. </strong>Please
be aware that you are registered only when you have paid for the
Symposium. All registration and payment will be done electronically.<br />
<br />
<strong>Location</strong><br />
Latvian Centre for Performance Art, Riga, Latvia<br />
<br />
<strong>Registration and fee</strong><br />
Students, unemployed, freelancers and participants from Baltic countries and Poland: 25 EUR<br />
Professors, lecturers and other professional scholars: 50 EUR<br />
The registration fee includes lunches and dinners. Moreover, NSU will
organize and pay for basic accommodation for all participants not
funded by their institutions on the understanding that they will share a
double room. Participants who want a single room must pay for the
difference in price.<br />
We strongly recommend to apply for external funding through local foundations and sponsors.<br />
Confirmed participants should pay the fee ABSOLUTELY NO LATER THAN
JANUARY 30. The letter of acceptance will contain a bank account. Please
note that bank fees are at the charge of the participant.<br />
Please note that the registration fee or other costs will not be reimbursed if the participant cancels.<br />
<strong>ECTS</strong><br />
PhD and MA students are eligible for up to five ECTS points for participation and presentation of a paper. See also: <u>http://nordic.university/study-circles/</u><br />
<br />
Arrival: February 28<br />
Departure: March 1<br />
<br />
Circle 1 <strong><em>Urban Studies: Between Creativity and Power </em></strong>is
established to address, evaluate and re-evaluate the understanding of
the growing complexity of the urban environment, where people cohabit,
share and create a culture of politics, communication, and the arts as
much as the public space. Consequently, in the study circle questions of
co-existence will be addressed in relation to power hierarchies,
cultural production, and urban development initiatives. The circle
invites to stimulate and strengthen a dialogue among both established
and emerging academics and practitioners from interdisciplinary fields
covering philosophy, anthropology, sociology, geography, political
science, literature and arts to challenge and develop new knowledge,
innovative perspectives and experimental approaches.<br />
<br />
Circle 1 is a study circle in Nordic Summer University: https://nordic.university/Appolhttp://www.blogger.com/profile/14153589223518163701noreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-56772819649797868222019-09-20T14:15:00.001+02:002019-09-20T14:20:14.918+02:00<b>The anthology of the NSU-study circle is here!</b><br />
<br />
It has made its appearance as a special issue of Popular Inquiry - https://www.popularinquiry.com/ - (Volume 1 / 2019) edited by Noora-Helena Korpelainen, Olivia Glasser, and Emily Aiava. <br />
<br />
It contains:<br />
<a href="https://www.popularinquiry.com/blog/2019/9/16/raine-aiava-on-arriving-introduction-to-the-appearances-of-the-political-anthology" target="_blank">Raine Aiava</a>, On Arriving: Introduction to the Appearances of the Political Anthology, pp. 1-8<br />
<br />
<a href="https://www.popularinquiry.com/blog/2019/9/16/carsten-friberg-political-aesthetics-a-philosophical-reflection" target="_blank">Carsten Friberg</a>, Political Aesthetics: A Philosophical Reflection, pp. 9-25<br />
<br />
<a href="https://www.popularinquiry.com/blog/2019/9/18/elisabetta-di-stefano-the-power-of-the-gift-a-perspective-of-political-aesthetics" target="_blank">Elisabetta Di Stefano</a>, The Power of the Gift: A Perspective of Political Aesthetics, pp. 26-35<br />
<br />
<a href="https://www.popularinquiry.com/blog/2019/9/18/tomasz-ferenc-war-monuments-as-vehicles-of-memory-and-activators-of-social-actions" target="_blank">Tomasz Ferenc</a>, War Monuments as Vehicles of Memory and Activators of Social Action, pp. 36-46<br />
<br />
<a href="https://www.popularinquiry.com/blog/2019/9/18/aniruddha-gupte-synthesizing-solutions-an-exploration-of-the-modern-rele-vance-of-socialist-design-principles-through-the-medium-of-plastics" target="_blank">Aniruddha Gupté</a>, Synthesizing Solutions: An Exploration of the Modern Relevance of Socialist Design Principles Through the Medium of Plastics, pp. 47-63<br />
<br />
<br />
<br />
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<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">Appearing in Latvia</span></div>
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<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">Seminar 5-10 August in </span><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";"><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">C</span><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB;">ē</span><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">sis, Latvia</span></span></div>
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<br /></div>
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<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">Our Ap.pol.-network appeared for five days of seminar in C</span><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB;">ē</span><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">sis – a summer session beyond NSU with the
news of a new study-circle in NSU to begin in 2020: <i style="mso-bidi-font-style: normal;">Urban Studies: Between Creativity and Power</i>. Days of presentations,
discussions, visit to C</span><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB;">ē</span><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">sis M</span><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB;">ā</span><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">kslas Festiv</span><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB;">ā</span><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">ls (art festival) and watching the TV-series Chernobyl
(and a few minutes of the trailer of the Russian produced response).</span></div>
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<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">Participants from Latvia, Poland, Italy and Denmark appeared; so did
many different questions related to design and urban interventions in different
forms which I will dwell a little on.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-nuzghLE_gzc/XVfW3DPwq9I/AAAAAAAAEhI/90hfEICNexwaNA3LACEeM70HUSl4tQxzQCLcBGAs/s1600/Cesis.%2BAp.pol._2.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://1.bp.blogspot.com/-nuzghLE_gzc/XVfW3DPwq9I/AAAAAAAAEhI/90hfEICNexwaNA3LACEeM70HUSl4tQxzQCLcBGAs/s320/Cesis.%2BAp.pol._2.JPG" width="320" /></a><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";"> </span></div>
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<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";"></span></div>
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<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">A theme coming up more times was interventions intended for making a
difference in the place of intervention or among the people involved. A
question was present in many forms: what will the intervention do – not in
terms of the concrete change or transformation, but what the design of an
intervention implies. Does intervention made with the best of intentions turn
out to frame and affect the involved actors and the place in ways not-intended
and conflicting with also the intentions? Is it actually the intervention that
is where the political appears and the forms of intervention then what one
should be aware of? Will good intentions sometimes turn out to be also means of
political elements that were not intended yet becoming present in the
intervention?</span></div>
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<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">I will follow one line of reflections addressing some questions about
this.</span></div>
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<br /></div>
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<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">If one says the beauty of design is that it is fit for function (it seem
the three-f formulas never leave design discourses) what is the fitting? Who
does it fit? What is designed? Is it the object for use and we judge if it
serves the purpose of function? Or is it the user that is designed? </span></div>
<div class="MsoNormal" style="line-height: 120%;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">Usually we will assume the designer knows what questions the design
should answer. Let's say it is to keep liquids stored and available. Obviously
the design-answer here is not related to a particular designer. Jars appear as
an answer in early cultures (and one can question if we should talk about design
previous to modern times). Further questions appear of more specific uses of
the jar – like what kind of liquid it is intended for and in what situation. We
have also questions of social relations about jars with specific forms for
specific uses, like for a particular sauce on tables at special occasions and
in consumer culture about appearing different from similar jars to get a
position on a market. The more specific the requirement the narrower is the
variety of successful answers, and often the critique will see the one fit for
function in subtle ways to be the most praiseworthy. Critique then approaches
art-critique – the design as the unique answer to what calls for its own
particular answer.</span></div>
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<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">But another question appears. Is the specific design-answer also an
answer to a design of attitude and knowledge? Is the design also designing the
user? So design designs the user!</span></div>
<div class="MsoNormal" style="line-height: 120%;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">The jar may simply be of help in a specific situation, but when the jar
becomes a sauce boat for particular kind of sauces or a gift it intervenes into
social relations. I now make a fool of me in the eyes of a critical community
when I praise the over ornamented sauce boat or the cheap industrial imitation
of the 'real' design. </span></div>
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<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">Design does not design the social roles, but it does uphold them and
contributes to refining and changing them. It adds to separating those with good
taste from the rest – ask any teenager how strong that social differentiation
is, and ask how strong it still is in place when one seeks recognition from a
social group.</span></div>
<div class="MsoNormal" style="line-height: 120%;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">It gives rise to a line of questions about powers present and often
implicit and neglected, not neglected out of an interest in explicitly ignoring
them but because the appearance of the political here does not attract much
attention.</span></div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-oxJkMf-eu2Y/XVfWTIROTYI/AAAAAAAAEg8/CqhnsB9ahWAqln_jEe4-HATjp_bq2DDngCLcBGAs/s1600/Cesis.%2BAp.pol._4.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://1.bp.blogspot.com/-oxJkMf-eu2Y/XVfWTIROTYI/AAAAAAAAEg8/CqhnsB9ahWAqln_jEe4-HATjp_bq2DDngCLcBGAs/s320/Cesis.%2BAp.pol._4.JPG" width="320" /></a></div>
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">What then when we look at interventions known from urban projects like Novi
Beograd and the resettlement in agrarian Algeria. They are not only about
providing housing and development but also to form people to be fit for
function in the modern state and future requirements. The line of good intended
projects is long – they provide answers to practicalities, offer service
facilities, spaces for different activities considered to be needed etc. And
then the experience is often that these projects end up with the problems they
were designed to prevent.</span>
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<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">Does the design fail? Is the design ambition wrong? Is the political
ambition behind the design wrong? </span></div>
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<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">Maybe a problem is the view on the users, they are simply not agreeing
to the answers provided to their needs even though the understanding of the needs
is not false.</span></div>
<div class="MsoNormal" style="line-height: 120%;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">How then to intervene a second time in such places? To change and
improve.</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 120%;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">It's possible to think art could contribute but when we move into that
discourse another problem appears: art is no homogeneous category and artists
are as different in approaches as anyone else.</span></div>
<div class="MsoNormal" style="line-height: 120%;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">A difficulty, of my own experiences, is how some artistic interventions
show lack of sensitivity to where the interventions are. They can become very
'dogmatic' not least in their understanding of the people involved. Perhaps I have
just participated in too many presentations and events based on the assumption
that people in their daily do not pay attention to their body and the
environment – as if it does not hurt as much on me when I accidentally hit the table
leg with my little toe or as if artists never get physical problems due to bad
working postures. At least the designer's approach to people is at its best
(which it not always is) about awareness of and knowledge about the users while
some (but not all!) artists approach them with prejudices about how users are.</span></div>
<div class="MsoNormal" style="line-height: 120%;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">The difficulty addressed here is one of communication, on of how to know
and respect the audience. Also in the good cases we should be careful, not
least because when it is good we may no longer be on our guard but blinded by
our good intentions. When the art intervening can do something to people – and
do is in this sense not only giving a moment of pleasant appreciation of
something beautiful – it can make us aware of what we ignore and engage us in
reflection, community building and problem solving. But what does now really
distinguish us from the intentions of the original planners of the urban
environment? Is this not about doing the exact same with different means? How
do we in the end design also the dialogue with the involved partners without
imposing upon them our ideals of what is good? </span></div>
<div class="MsoNormal" style="line-height: 120%;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">Perhaps we need to recognize that in these cases there is a conflict of
interests and we do have to decide what is for the best and to act politically
on behalf of what we believe to be best being aware of and explicit in what we
do. Perhaps what it comes down to is recognition of a conflict, philosophical
in its foundation, between two approaches: one of an analytical distinction
between elements among which to choose what is considered the best and another
of dialectic recognition of conflicting elements always present and a task of bringing
them together in mutual recognition to proceed.</span></div>
<div class="MsoNormal" style="line-height: 120%;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";">This, finally, brings me to how we in general need to reflect on what we
do as we should pay attention to how the means of addressing something, whether
in design, art or research, essentially may frame or at least colour our work.
We can only see things with the eyes we have – and the use of any instrument to
see better i.e. to focus implies deciding what should be let out of focus. The
political appears not only in the environment, in design intentions for urban
planning or artistic interventions, it appears in our own discourses on these
matters. What I say and display is already filled with intentions that are not
mine because I have to communicate with you where you are, in a form you can
make sense of both in terms of making sense of the words and in terms of
interpreting arguments, ideas and the overall context of meaning, and language,
interpretation and meaning are not neutral but all ‘infected’ with political
ideals. It is exactly a point about the appearances of the political: to
increase awareness of what affects us but slips out of our attention even
though we believe we pay attention to it.</span></div>
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Appolhttp://www.blogger.com/profile/14153589223518163701noreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-17772795739128585582019-06-26T20:58:00.000+02:002019-06-26T20:58:04.137+02:00Afternoon Seminar, May 8 2019, Aalto University<br />
<br />
APPEARANCES OF THE POLITICAL<br />
<br />
<br />
Politics is about politics, but it is also about aesthetics and material
culture (flags, songs), i.e. aesthetic choices. What kind of an
‘aesthetic culture’ is politics? How does party politics differ from
activism? What is the aesthetics of our everyday life? How do we use art
and aesthetics in politics? And what might be said about the
ethical/political questions provoked by landscapes? <br />
<br />
May 8 scholars of the AP.POL network will present their ideas of
aesthetics and politics – and they hope to have a dialogue with YOU.
AP.POL aims to create a network for people working in the intersections
of politics and contemporary aesthetics.<br />
The network follows loosely the work of the Nordic Summer University
study circle Apparances of the Political (2016-2018). Its first meeting
was in Palermo, May 11. AP.POL aims to create a network of people
working on the intersections of politics and contemporary aesthetics and
cultural studies.<br />
<br />
12-12:15 Presentation of the AP.POL Network<br />
12:15-13 Elisabetta Di Stefano (University of Palermo): Artification as a Tool for Political Aesthetics<br />
13-13:45 Carsten Friberg (Freelancer): Some Thoughts About Body Bildung<br />
<br />
Snacks (offered)<br />
<br />
14:15-15:00 Margus Vihalem (Univ. of Tallinn), On Political Uses of Aesthetics<br />
15:00-15:45 Mateusz Salwa (University of Warsaw), The Ethics of Landscape<br />
<br />
Coffee (offered)<br />
<br />
16:00-16:30 Max Ryynänen (Aalto University), Political Concepts as Aesthetic Concepts<br />
16:30-16:45 Jon Irigoyen (Doctoral Student, Department of Arts)<br />
16:45-17:00 Jakub Bobrowski (ViCCA)<br />
17:00-17:15 Shubhangi Singh (ViCCA)<br />
<br />
Hosts: Max Ryynänen & Tiago Martins Pinto<br />
Appolhttp://www.blogger.com/profile/14153589223518163701noreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-4608805720515564762019-06-26T17:16:00.001+02:002019-06-26T17:16:38.766+02:00Seminar, Ascea, 2018<!--[if gte mso 9]><xml>
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<br />
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<br /></div>
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<b><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;">INVITATION & CALL FOR PRESENTATION</span></b></div>
<div align="center" class="BodyA" style="mso-pagination: none; text-align: center;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;"><br />
</span><b><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;">AESTHETICS AND
POLITICS</span></b><i><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; font-size: 16.0pt; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;"></span></i></div>
<div align="center" class="BodyA" style="mso-pagination: none; text-align: center;">
<br /></div>
<div align="center" class="BodyA" style="mso-pagination: none; text-align: center;">
<b><i><span lang="EN-GB" style="background: white; font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;">Appearances of the Political,
</span></i></b><b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;">Autumn Symposium</span></b></div>
<div align="center" class="BodyA" style="mso-pagination: none; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;">2<sup>nd</sup> – 5<sup>th</sup>
of November, Marina di Ascea, Italy</span></b></div>
<div class="BodyA" style="mso-pagination: none;">
<br /></div>
<div class="BodyA" style="mso-pagination: none;">
<br /></div>
<div class="BodyA" style="mso-pagination: none;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;">Background</span></b></div>
<div class="BodyA" style="mso-pagination: none;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;">In 2015 the study circle <i style="mso-bidi-font-style: normal;">Appearances of the Political </i>was formed in Nordic Summer University
(NSU). This year it concludes its project within NSU.</span></div>
<div class="BodyA" style="mso-pagination: none;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;">The intention with this seminar is to share and exchange
knowledge within the scope of the circle and also to maintain and build our
network beyond NSU to establish future activities. We invite participants from
the study circle along with those who have shown interest in it or, for various
reasons, are thought could have an interest in it. Hence, it is not an open and
widely distributed call but please share it with others you believe may have an
interest.</span></div>
<div class="BodyA" style="mso-pagination: none;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;">We hope the study circle can form the basis for seminars,
workshops and other activities to build relations for future applications
including also funding for research.</span></div>
<div class="BodyA" style="mso-pagination: none;">
<br /></div>
<div class="BodyA" style="mso-pagination: none;">
<b><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;">Theme of the seminar</span></b><span lang="EN-GB" style="font-family: "Calibri","sans-serif"; mso-ansi-language: EN-GB; mso-fareast-font-family: Calibri;"></span></div>
<div class="BodyA" style="mso-pagination: none;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-bidi-font-weight: bold; mso-fareast-font-family: Calibri;">Both aesthetics and politics
are concepts with a wide range of significances and the combination of them
promises only more complications. Presentations should address how both concepts
are interpreted and how the combination of them can be approached. Such
approaches can relate to conceptual analyses, concrete examples, historical and
contemporary cases, and to different fields of art and literature, popular
culture and everyday phenomena, communication and design – to mention only a
few.</span></div>
<div class="BodyA" style="mso-pagination: none;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-bidi-font-weight: bold; mso-fareast-font-family: Calibri;">The focus of the study
circle is on contemporary phenomena hence historical studies should explicitly
address how they add to an understanding of contemporary phenomena.</span></div>
<div class="BodyA" style="mso-pagination: none;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-bidi-font-weight: bold; mso-fareast-font-family: Calibri;">In particular we invite to a
broad understanding of aesthetics to include more recent contributions e.g. in
the field of atmosphere/ambiance and not to exclude either traditional
understandings or experimental.</span></div>
<div class="BodyA" style="mso-pagination: none;">
<span lang="EN-GB" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-bidi-font-weight: bold; mso-fareast-font-family: Calibri;">The study circle is
cross-disciplinary and presentations will reflect both the diversity of
participants and how different approaches can inform each other across
conceptual and methodological differences. A particular attention should be
given to how concepts, theories, approaches and examples can be made accessible
for participants in other fields enabling the sharing of knowledge as well as
forming a common platform for the study circle’s future work.</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: center; text-autospace: none;">
<b><span style="color: black; font-family: Cambria-Bold; font-size: 16.0pt; mso-bidi-font-family: Cambria-Bold;">Program</span></b></div>
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: center; text-autospace: none;">
<b><span style="color: black; font-family: Cambria-Bold; font-size: 16.0pt; mso-bidi-font-family: Cambria-Bold;">AESTHETICS AND POLITICS</span></b></div>
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: center; text-autospace: none;">
<b><i><span style="color: black; font-family: Cambria-BoldItalic; font-size: 12.0pt; mso-bidi-font-family: Cambria-BoldItalic;">Appearances of the
Political, </span></i></b><b><span style="color: black; font-family: Cambria-Bold; font-size: 12.0pt; mso-bidi-font-family: Cambria-Bold;">Autumn Symposium</span></b></div>
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: center; text-autospace: none;">
<b><i><span style="color: black; font-family: Cambria-BoldItalic; font-size: 12.0pt; mso-bidi-font-family: Cambria-BoldItalic;">2</span></i></b><b><i><span style="color: black; font-family: Cambria-BoldItalic; font-size: 7.0pt; mso-bidi-font-family: Cambria-BoldItalic;">nd </span></i></b><b><i><span style="color: black; font-family: Cambria-BoldItalic; font-size: 12.0pt; mso-bidi-font-family: Cambria-BoldItalic;">– 5</span></i></b><b><i><span style="color: black; font-family: Cambria-BoldItalic; font-size: 7.0pt; mso-bidi-font-family: Cambria-BoldItalic;">th </span></i></b><b><i><span style="color: black; font-family: Cambria-BoldItalic; font-size: 12.0pt; mso-bidi-font-family: Cambria-BoldItalic;">of November, Marina di Ascea, Italy</span></i></b></div>
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: center; text-autospace: none;">
<b><span style="color: black; font-family: Cambria-Bold; font-size: 12.0pt; mso-bidi-font-family: Cambria-Bold;">at</span></b></div>
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: center; text-autospace: none;">
<b><span style="color: black; font-family: Cambria-Bold; font-size: 12.0pt; mso-bidi-font-family: Cambria-Bold;">Albergo Elea, Corso Elea 69</span></b></div>
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: center; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; font-size: 12.0pt; mso-bidi-font-family: Cambria;">in collaboration with </span><b><span style="color: black; font-family: Cambria-Bold; font-size: 12.0pt; mso-bidi-font-family: Cambria-Bold;">Wassard
Elea</span></b></div>
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: center; text-autospace: none;">
<span style="color: #222222; font-family: "Cambria","serif"; font-size: 12.0pt; mso-bidi-font-family: Cambria;">Refugium for writers, artists, composers, and scholars.</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<b><span style="color: black; font-family: Cambria-Bold; mso-bidi-font-family: Cambria-Bold;">Friday,
2</span></b><b><span style="color: black; font-family: Cambria-Bold; font-size: 6.5pt; mso-bidi-font-family: Cambria-Bold;">nd</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">18:00-20:00 <span style="mso-tab-count: 1;"> </span>Welcome & Refreshment</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<b><span style="color: black; font-family: Cambria-Bold; mso-bidi-font-family: Cambria-Bold;">Saturday,
3</span></b><b><span style="color: black; font-family: Cambria-Bold; font-size: 6.5pt; mso-bidi-font-family: Cambria-Bold;">rd</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">9.30 <span style="mso-tab-count: 1;"> </span>Introduction: Appearances of
the Political</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">10.00 <span style="mso-tab-count: 1;"> </span>Henrik </span><span style="color: #222222; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Juel
(Denmark)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 65.2pt; margin-right: 0cm; margin-top: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<b><span style="color: black; font-family: Cambria-Bold; mso-bidi-font-family: Cambria-Bold;">The Power of the Camera Presenting Politicians - a
study in the rhetoric of camera techniques</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Response:
Elisabetta Di Stefano (Italy)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">11.20 <span style="mso-tab-count: 1;"> </span>Coffee break</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">11.40 <span style="mso-tab-count: 1;"> </span>Virgil W. Brower (USA)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 65.2pt; margin-right: 0cm; margin-top: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<b><span style="color: black; font-family: Cambria-Bold; mso-bidi-font-family: Cambria-Bold;">Political Phenomenology of Artwork: Aesthetic
Dimensions of Populism. (Remarks on Art & Politics in a Totalitarian Era)</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Response:
Anete Vanaga (Latvia)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">13.00 <span style="mso-tab-count: 1;"> </span>Lunch</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">14.30 <span style="mso-tab-count: 1;"> </span>Laine Kristberga (Latvia)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<b><span style="color: black; font-family: Cambria-Bold; mso-bidi-font-family: Cambria-Bold;">Performance
Art in Central and Eastern Europe in the Period of Late Socialism</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Response:
Henrik Juel (Denmark)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">15.50 <span style="mso-tab-count: 1;"> </span>Coffee break</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">16.10 <span style="mso-tab-count: 1;"> </span>Elisabetta Di Stefano (Italy)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<b><span style="color: black; font-family: Cambria-Bold; mso-bidi-font-family: Cambria-Bold;">Artification
of public space. Mere decoration or political action?</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Response:
Minna Heikinaho (Finland)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">17.30-18.30 <span style="mso-tab-count: 1;"> </span></span><span style="color: #222222; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Discussions</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">19.30 <span style="mso-tab-count: 1;"> </span>Bus depart</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">20.00 <span style="mso-tab-count: 1;"> </span>Festive Dinner: Menu di
Gustazione, Cilentan style at </span><i><span style="color: black; font-family: Cambria-Italic; mso-bidi-font-family: Cambria-Italic;">Il Nido</span></i><span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">,</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<b><span style="color: black; font-family: Cambria-Bold; mso-bidi-font-family: Cambria-Bold;">Sunday,
4</span></b><b><span style="color: black; font-family: Cambria-Bold; font-size: 6.5pt; mso-bidi-font-family: Cambria-Bold;">th</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">9.30 <span style="mso-tab-count: 1;"> </span>Reflection</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: #222222; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">10.00 <span style="mso-tab-count: 1;"> </span>Minna Heikinaho (Finland)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<b><span style="color: black; font-family: Cambria-Bold; mso-bidi-font-family: Cambria-Bold;">Mimesis
and the Articulating Body on a Stroll in the City</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Response:
Laine Kristberga (Latvia)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">11.20 <span style="mso-tab-count: 1;"> </span>Coffee break</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">11.40 <span style="mso-tab-count: 1;"> </span>Bill Thompson (UK)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 65.2pt; margin-right: 0cm; margin-top: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<b><span style="color: black; font-family: Cambria-Bold; mso-bidi-font-family: Cambria-Bold;">The Map, the Territory, the Cartographer and the
Belief in Secular Isomorphism or the licencing of non-vitalism as a principle
of practicing thinking being as a collective</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Response:
Virgil W. Brower (USA)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">13.00 <span style="mso-tab-count: 1;"> </span>Lunch</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">14.30 <span style="mso-tab-count: 1;"> </span>Anete Vanaga (Latvia)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 65.2pt; margin-right: 0cm; margin-top: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<b><span style="color: black; font-family: Cambria-Bold; mso-bidi-font-family: Cambria-Bold;">Auteur cinema in Latvia as a space to collide
agonistic and antagonistic pluralism</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Response:
Bill Thompson (UK)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">15.50 <span style="mso-tab-count: 1;"> </span>Coffee break</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">16.10 <span style="mso-tab-count: 1;"> </span>Discussion and conclusion</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">20.00 <span style="mso-tab-count: 1;"> </span>Dinner</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Also participating:</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Robert Mogensen
(Denmark)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Martina Hjertman
(Sweden)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Bengt Westergaard
(Sweden)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Lars Mogensen
(Denmark/Italy)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: "Cambria","serif"; mso-bidi-font-family: Cambria;">Carsten Friberg
(Denmark)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: TimesNewRomanPSMT; font-size: 10.0pt; mso-bidi-font-family: TimesNewRomanPSMT;">Wassard Elea, Via La Chiazzetta 27, I-84046 Ascea (SA), Italy.</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: TimesNewRomanPSMT; font-size: 10.0pt; mso-bidi-font-family: TimesNewRomanPSMT;">Email: wassardelea@gmail.com Tel. +39 366 36 16 543.</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: TimesNewRomanPSMT; font-size: 10.0pt; mso-bidi-font-family: TimesNewRomanPSMT;">http://wassardelea.blogspot.com</span><span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;"></span></div>
Appolhttp://www.blogger.com/profile/14153589223518163701noreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-92151637101546763502019-06-26T17:11:00.001+02:002019-06-26T17:11:44.852+02:00AP.POL meeting, Palermo<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-GQO-zD07hLY/XROLFC8xp3I/AAAAAAAAEds/CwKVTRmlkWsh03s-maVbPAT9v_FHM2wNQCLcBGAs/s1600/Appearances%2Bof%2Bthe%2BPolitica__%2528AP.POL%2529%2Binv.%2Bdigit.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1132" height="320" src="https://1.bp.blogspot.com/-GQO-zD07hLY/XROLFC8xp3I/AAAAAAAAEds/CwKVTRmlkWsh03s-maVbPAT9v_FHM2wNQCLcBGAs/s320/Appearances%2Bof%2Bthe%2BPolitica__%2528AP.POL%2529%2Binv.%2Bdigit.jpg" width="226" /></a></div>
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<br />
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">“<i>Appearances
of the </i>Political ” (AP.POL - Network)</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">University of Palermo, 11 May 2018</span></b></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">PROGRAMME</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;"><span style="mso-spacerun: yes;"> </span>9:00-10:00</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">WELCOME SPEECHES: </span></b></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">Fabrizio Micari,
Rector of the University of Palermo</span></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">Ada Maria
Florena, Vice-Rector for International Relations</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">Leonardo Samonà,
Director of the Department of Humanities</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="IT" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; font-variant: small-caps;">Introduction:</span></b><b style="mso-bidi-font-weight: normal;"><span lang="IT" style="font-family: "Times New Roman","serif"; font-size: 14.0pt;">
</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IT" style="font-family: "Times New Roman","serif"; font-size: 14.0pt;">Elisabetta Di Stefano (University of Palermo)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">Presentation of the Network<span style="font-variant: small-caps;"> “</span><span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Appearances of the </span></span></i><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">Political<i style="mso-bidi-font-style: normal;">”</i></span><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; font-variant: small-caps; mso-ansi-language: EN-US;"></span></i></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">Signature of the international AP.POL Network
Agreement</span></b></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="IT" style="font-family: "Times New Roman","serif"; font-size: 14.0pt;">10.00 -10.30
<span style="font-variant: small-caps;">coffe break</span></span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="IT" style="font-family: "Times New Roman","serif"; font-size: 14.0pt;">10:30-
11.30</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IT" style="font-family: "Times New Roman","serif"; font-size: 14.0pt;">Francesca Zanella (Study Centre and Communication
Archive, Parma)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="IT" style="font-family: "Times New Roman","serif"; font-size: 14.0pt;">&</span></b></div>
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<span lang="IT" style="font-family: "Times New Roman","serif"; font-size: 14.0pt;">Rita Messori (University of Parma)</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="IT" style="font-family: "Times New Roman","serif"; font-size: 14.0pt;">11:30-
12:00</span></b></div>
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<span lang="IT" style="font-family: "Times New Roman","serif"; font-size: 14.0pt;">Tonino Griffero (University of Roma Tor Vergata)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">Like Leaves in the wind? Atmospheres and democracy</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">12:00- 12:30</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">Mateusz Salwa
(University of Warsaw)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">The Everyday Aesthetics of Public Space</span></i></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">12:30- 13:00</span></b></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">Margus Vihalem
(Tallinn University)</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; font-variant: small-caps; mso-ansi-language: EN-US;">13:00 – 14.00 Lunch</span></b></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">Max Ryynänen (Aalto
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US;">The Network “<span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">Appearances of the</span></span></i><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;"> </span><span lang="EN-US" style="font-family: "Times New Roman","serif"; font-size: 14.0pt; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">Political<i style="mso-bidi-font-style: normal;">”: future perspectives for research</i></span></div>
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Appolhttp://www.blogger.com/profile/14153589223518163701noreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-26593949449198386722019-06-26T17:07:00.002+02:002019-06-26T17:07:29.581+02:00Summer session 2018<!--[if gte mso 9]><xml>
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<b><span style="color: black; font-family: "Arial-BoldMT","sans-serif"; mso-bidi-font-family: Arial-BoldMT;">CALL FOR PRESENTATIONS 2018</span></b></div>
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<b><span style="color: black; font-family: "Arial-BoldMT","sans-serif"; mso-bidi-font-family: Arial-BoldMT;">The Politics of Memory in Art</span></b></div>
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<b><i><span style="color: black; font-family: "Arial-BoldItalicMT","sans-serif"; mso-bidi-font-family: Arial-BoldItalicMT;">Appearances of the
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<span style="color: black; font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">Fårö Kursgård, Sweden</span></div>
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<i><span style="color: black; font-family: "Arial-ItalicMT","sans-serif"; mso-bidi-font-family: Arial-ItalicMT;">We invite scholars, students, artists and third sector agents to
study together the many forms, appearances and the aesthetic functions in which
we experience the presences of political reality. We wish to approach it from
social, artistic, aesthetic and cultural analysis and to articulate the
ideological forces underlying today’s political thinking. We also want to
inaugurate a debate on the role of cultural approaches in political analysis.
We aspire to break new paths in connecting the</span></i></div>
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<i><span style="color: black; font-family: "Arial-ItalicMT","sans-serif"; mso-bidi-font-family: Arial-ItalicMT;">cultural humanities and the political sciences and invite
participants to bravely explore new ways of studying these issues. We believe
that experimentation is crucial for rethinking the political.</span></i></div>
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<b><span style="color: black; font-family: "Arial-BoldMT","sans-serif"; mso-bidi-font-family: Arial-BoldMT;">Theme of the symposium: The Politics of Memory in Art</span></b></div>
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<span style="color: black; font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">In this
Symposium we would like to address the politics of memory in art, especially in
terms of how the memory narratives are (re)constructed within different media
and symbolic systems: painting, photography, cinematography, TV documentaries, monuments,
etc. We are interested in presentations, which would examine how the ideas
about the past have been conveyed, disputed, silenced and negotiated through the
politicization of art and the aestheticization of politics. Consequently, the
question is: what is it that turns some media (and not others) into powerful “media
of cultural memory,” meaning media which create and mold collective images of
the past? What are the phenomena within, between, and around those media, which
have the power to produce and shape cultural memory? We invite you to think
about your local examples in art and culture, where certain media have shaped
the cultural memory on a collective level, as well as analyze how memory has
been mobilized as an instrument of politics by the political agents (for
example, frequently using mythologized understandings of the past).</span></div>
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<span style="color: black; font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">The circle
would very much like to encourage artists, artistic researchers, and those with
experimental work to join the already cross-scientific work of the circle, so
that we may engender new, alternative ways of looking at the subject.</span></div>
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<div class="Default">
<b style="mso-bidi-font-weight: normal;">Preliminary program</b></div>
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<div class="Default">
<span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">Circle
2, Summer Session 2018 </span><span style="font-size: 11.5pt;"></span></div>
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<br /></div>
<div class="Default">
<span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">1)
Monika Favara-Kurkowski </span><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<i><span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">Paradigm
of Politicized Architecture: the Case Study of “kostka mazowiecka” </span></i><span style="font-size: 11.5pt;"></span></div>
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<br /></div>
<div class="Default">
<span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">2)
Bill Thompson </span><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<i><span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">Observations
on the Effect of Any Desire to Reify Human Understanding </span></i><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<br /></div>
<div class="Default">
<span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">3)
Carsten Friberg </span><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<i><span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">Reflecting,
Reconstructing, Re-Enacting </span></i><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<br /></div>
<div class="Default">
<span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">4)
Michael Kjaer </span><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<i><span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">Mnemonic
Mirrors: Analysis of Andrei Tarkovsky’s Film “The Mirror” (1975) </span></i><span style="font-size: 11.5pt;"></span></div>
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<br /></div>
<div class="Default">
<span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">5)
Neli Dobreva </span><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<i><span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">Rethinking
the environmental aesthetics in the global age </span></i><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<br /></div>
<div class="Default">
<span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">6)
Aino Koskenniemi </span><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<i><span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">Finland
100 – Constructing Meanings of Citizenship with Products </span></i><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<br /></div>
<div class="Default">
<span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">7)
Laine Kristberga </span><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<i><span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">Fake
Memories: the Case Study of Performance Re-Enactments </span></i><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<br /></div>
<div class="Default">
<span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">8)
Anete Vanaga </span><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<i><span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">The
Monument of Peter the Great as an Example of 'Agonistic Pluralism' </span></i><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<br /></div>
<div class="Default">
<span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">9)
Sara Ibáñez O’Donnell </span><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<i><span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">Jubilympics
in Hackney Wick. Behind the scenes recollections of London City Hall’s 2012
Cultural Olympiad and some voices of political and artistic dissent </span></i><span style="font-size: 11.5pt;"></span></div>
<div class="Default">
<br /></div>
<div class="Default">
<span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">10)
Noora Korven </span><span style="font-size: 11.5pt;"></span></div>
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<i><span style="font-size: 11.5pt; mso-bidi-font-weight: bold;">The hidden Battle of
Varkaus: The power of participation and experiencing in shaping cultural
memory.</span></i><span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;"></span></div>
Appolhttp://www.blogger.com/profile/14153589223518163701noreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-8890174789546267762019-06-26T17:03:00.001+02:002019-06-26T17:03:32.509+02:00Winter session 2018
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<b><span style="font-family: "Arial-BoldMT","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: Arial-BoldMT;">CALL FOR Presentation 2017</span></b></div>
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<b><span style="font-family: "Arial-BoldMT","sans-serif"; font-size: 14.0pt; mso-bidi-font-family: Arial-BoldMT;">Political arts and aesthetics in the
everyday.</span></b></div>
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<b><i><span style="font-family: "Arial-BoldItalicMT","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: Arial-BoldItalicMT;">Appearances of the Political 5/6</span></i></b></div>
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<span style="font-family: "ArialMT","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: ArialMT;">Winter Symposium: 2 – 4 February 2018</span></div>
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<span style="font-family: "ArialMT","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: ArialMT;">University of Copenhagen, Denmark</span></div>
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<br /></div>
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<i><span style="font-family: "Arial-ItalicMT","sans-serif"; mso-bidi-font-family: Arial-ItalicMT;">We
invite scholars, students, artists and third sector agents to study together
the many</span></i></div>
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<i><span style="font-family: "Arial-ItalicMT","sans-serif"; mso-bidi-font-family: Arial-ItalicMT;">forms,
appearances and the aesthetic functions in which we experience the presences of</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<i><span style="font-family: "Arial-ItalicMT","sans-serif"; mso-bidi-font-family: Arial-ItalicMT;">political
reality. We wish to approach it from social, artistic, aesthetic and cultural
analysis</span></i></div>
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<i><span style="font-family: "Arial-ItalicMT","sans-serif"; mso-bidi-font-family: Arial-ItalicMT;">and
to articulate the ideological forces underlying today’s political thinking. We
also want to</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<i><span style="font-family: "Arial-ItalicMT","sans-serif"; mso-bidi-font-family: Arial-ItalicMT;">inaugurate
a debate on the role of cultural approaches in political analysis. We aspire to</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<i><span style="font-family: "Arial-ItalicMT","sans-serif"; mso-bidi-font-family: Arial-ItalicMT;">break
new paths in connecting the cultural humanities and the political sciences and
invite</span></i></div>
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<i><span style="font-family: "Arial-ItalicMT","sans-serif"; mso-bidi-font-family: Arial-ItalicMT;">participants
to bravely explore new ways of studying these issues. We believe that</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<i><span style="font-family: "Arial-ItalicMT","sans-serif"; mso-bidi-font-family: Arial-ItalicMT;">experimentation
is crucial for rethinking the political.</span></i></div>
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<br /></div>
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<br /></div>
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<b><span style="font-family: "Arial-BoldMT","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: Arial-BoldMT;">Theme of the symposium: Political arts and aesthetics in the
Everyday.</span></b></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">Those in power, whether in
the recognized forms of established institutions and regime</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">interests, or more oblique
manifestations of structural inequality, have always had an</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">alliance with art,
defining and supporting art as an official appearance of the ruling ideology.</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">This is no less the case
today; The powers simply have transposed, from kings to</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">consensual ideologies in
the representative democracies. At the same time, a whole margin</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">of contemporary art
considers itself actively activist, insisting on arts ability to impact both</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">politics and the art
world. Last summer we convened to speak about activism as such. This</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">winter, we would like to
continue those investigations by looking specifically at the political</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">arts. What are the tactics
of political arts? What notion of politics is active in such an</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">approach and what are its
limitations?</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">To complicate these
investigations, we would also like to take up a thread of the previous</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">circle, inviting
discussions on everyday aesthetics in relation to the political. Insofar as
these</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">two disciplines, art and
everyday aesthetics, share an imperative as well as an overlapping</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">history – think Alan
Kaprow, the happenings, relational aesthetics, and the history of both</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">modern literature and
performance art – could we consider this relation itself as a</span></div>
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<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">phenomenon to examine?
Does the move towards social practice art on the one hand and</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">everyday aesthetics on the
other, share a horizon of politics?</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">The circle would very much
like to encourage artists, artistic researchers, and those with</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">experimental work to join
the already cross-scientific work of the circle, so that we may</span></div>
<div class="MsoNormal">
<span style="font-family: "ArialMT","sans-serif"; mso-bidi-font-family: ArialMT;">engender new, alternative ways of looking at the subject.</span></div>
<div class="MsoNormal">
<br /></div>
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<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: center; text-autospace: none;">
<span style="color: black; font-family: TimesLTPro-Roman; font-size: 14.5pt; mso-bidi-font-family: TimesLTPro-Roman;">Preliminary Program</span></div>
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: center; text-autospace: none;">
<b><span style="color: black; font-family: TimesLTPro-Bold; font-size: 14.5pt; mso-bidi-font-family: TimesLTPro-Bold;">Political Art and Aesthetics in the Everyday</span></b></div>
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<i><span style="color: black; font-family: TimesLTPro-Italic; font-size: 13.0pt; mso-bidi-font-family: TimesLTPro-Italic;">Appearances of the
Political 5/6</span></i></div>
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<span style="color: black; font-family: TimesLTPro-Roman; font-size: 12.0pt; mso-bidi-font-family: TimesLTPro-Roman;">Winter Symposium: February 2 - 4, 2018 University
of Copenhagen, Campus Amager,</span></div>
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<span style="color: black; font-family: TimesLTPro-Roman; font-size: 12.0pt; mso-bidi-font-family: TimesLTPro-Roman;">Njalsgade 80, 2300 København S collaboration with
University of Copenhagen</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<b><span style="color: black; font-family: HelveticaNeue-Bold; mso-bidi-font-family: HelveticaNeue-Bold;">Friday,</span></b></div>
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<b><span style="color: black; font-family: HelveticaNeue-Bold; mso-bidi-font-family: HelveticaNeue-Bold;">February 2nd</span></b></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">13:00-14:00
<span style="mso-tab-count: 1;"> </span></span><b><span style="color: black; font-family: HelveticaNeue-Bold; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Bold;">Visit to Trampoline House (optional)</span></b></div>
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<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">Trampline house is an
independent community center in Copenhagen that provides asylum seekers and
refugees with a place of support and community.</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">Those interested should meet at 13:00 at: Thoravej 7, DK-2400
Copenhagen NV</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">15:00-15:30<span style="mso-tab-count: 1;"> </span> Welcome & Registration</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">15:30-16:00
<span style="mso-tab-count: 1;"> </span>Introduction: Raine, Laine, Carsten</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">16:00-16:30
<span style="mso-tab-count: 1;"> </span>Nan Gerdes</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">Prisoners of everyday life? Surveying Women’s
Spaces in Modern Francophone Literature</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">16:30-17:00
<span style="mso-tab-count: 1;"> </span>Carsten Friberg</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">Lost opportunity: Everyday Aesthetics and
Consumer Culture</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">17:00-17:30
<span style="mso-tab-count: 1;"> </span>Elisabetta di Stefano</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">Art and Rite - Aesthetic and Anthropological
Values in the Arts and Everyday Life</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">17:30-18:00
<span style="mso-tab-count: 1;"> </span>Wojciech Rożdżeński</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">The disintegration of official art in
postmodern society</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">After
18:00 <span style="mso-tab-count: 1;"> </span>Hotel check-in</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">19:30
<span style="mso-tab-count: 1;"> </span>Reception: meet at </span><span style="color: black; font-family: HelveticaNeue; font-size: 9.0pt; mso-bidi-font-family: HelveticaNeue;">Spiseloppen, ( </span><span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">Bådsmandsstræde
43)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">20.00
<span style="mso-tab-count: 1;"> </span></span><b><span style="color: black; font-family: HelveticaNeue-Bold; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Bold;">Dinner: </span></b><b><span style="color: black; font-family: HelveticaNeue-Bold; font-size: 9.0pt; mso-bidi-font-family: HelveticaNeue-Bold;">Spiseloppen, ( </span></b><b><span style="color: black; font-family: HelveticaNeue-Bold; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Bold;">Bådsmandsstræde 43)</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<b><span style="color: black; font-family: HelveticaNeue-Bold; mso-bidi-font-family: HelveticaNeue-Bold;">Saturday,</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<b><span style="color: black; font-family: HelveticaNeue-Bold; mso-bidi-font-family: HelveticaNeue-Bold;">February 3rd</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">9:00-9:45
<span style="mso-tab-count: 1;"> </span>Reflection</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">9:45-10:15
<span style="mso-tab-count: 1;"> </span>Corinna Casi</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">The political struggle of Saami people and
Suohpanterror in the Barents Region</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">10:15-10:45
<span style="mso-tab-count: 1;"> </span>Johanne Aarup Hansen</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">Facilitation as an artistic political tactic</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">10:45-11:00
<span style="mso-tab-count: 1;"> </span>Break</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">11:00-11:30
<span style="mso-tab-count: 1;"> </span>Gian Luigi Biagini</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">DISTURBANISM</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">11:30-12:00
<span style="mso-tab-count: 1;"> </span>Laine Kristberga</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">From Art to Politics: The Baltic Chain as
Radical Performance</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">12:00:13:30
<span style="mso-tab-count: 1;"> </span>Lunch</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">13:30-14:00<span style="mso-tab-count: 1;"> </span>Neli Dobreva</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">Aesthetic Everydayness or Kitsch vs. “benevolent
patriotism” in Art and Politics</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">14:00-14:30
<span style="mso-tab-count: 1;"> </span>Monika Favara-Kurkowski</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">Designs as peripheries</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">14:30-15:00
<span style="mso-tab-count: 1;"> </span>Marta Dymek</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">When Politics Meets Fashion — Polish Patriotic
Wear</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">15:00-15:15
<span style="mso-tab-count: 1;"> </span>Break</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">15:15-15:45
<span style="mso-tab-count: 1;"> </span>Alla Eizenberg</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">The Extraordinary Power of Ordinary Clothes:
from everyday aesthetics to political statement</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">15:45-16:15
<span style="mso-tab-count: 1;"> </span>Sepideh Sadatizarrini (Rahaa)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">A Dream That Came True? Life after Migration,
Identity and Representation</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">16:15-16:45
<span style="mso-tab-count: 1;"> </span>Patricia Sall Lam Toro, Jonas Hall,
Nele Kadistik</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
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<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">16:45-17:00
<span style="mso-tab-count: 1;"> </span>Break</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">17:00-18:00
<span style="mso-tab-count: 1;"> </span>Discussions</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">19:30
<span style="mso-tab-count: 1;"> </span></span><b><span style="color: black; font-family: HelveticaNeue-Bold; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Bold;">Circle 2 Dinner (location to TBA)</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<b><span style="color: black; font-family: HelveticaNeue-Bold; mso-bidi-font-family: HelveticaNeue-Bold;">Sunday,</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<b><span style="color: black; font-family: HelveticaNeue-Bold; mso-bidi-font-family: HelveticaNeue-Bold;">February 4th</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">9:00-9:45
<span style="mso-tab-count: 1;"> </span>Reflection</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">9:45-10:15
<span style="mso-tab-count: 1;"> </span>Bill Thompson</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 65.2pt; margin-right: 0cm; margin-top: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">Using “Social Relativism”
to rethink connections in the everyday between the cultural humanities and the
political sciences.</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">10:15-10:30
<span style="mso-tab-count: 1;"> </span>Break</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">10:30-11:00
<span style="mso-tab-count: 1;"> </span>Anete Vanaga</span></div>
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<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">Contradictory Space - Latvian Underground
Music Scene</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">11:00-11:30
<span style="mso-tab-count: 1;"> </span>Hami Bahadori, Lena Séraphin, Minna
Heikinaho</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none; text-indent: 65.2pt;">
<i><span style="color: black; font-family: HelveticaNeue-Italic; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue-Italic;">Replay Omspelning Uusintaotto Repetición</span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">11:30-12:15
<span style="mso-tab-count: 1;"> </span>Concluding discussions / summer
session and future of the circle</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-autospace: none;">
<span style="color: black; font-family: HelveticaNeue; font-size: 10.0pt; mso-bidi-font-family: HelveticaNeue;">12:15-13:30
<span style="mso-tab-count: 1;"> </span>Evaluation, Lunch & Farewell</span></div>
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<![endif]-->Appolhttp://www.blogger.com/profile/14153589223518163701noreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-5611892925523489892019-06-26T16:44:00.003+02:002019-06-26T16:44:52.383+02:00Summer session 2017<!--[if !mso]>
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<b><span lang="EN-US" style="font-family: "Calibri","sans-serif"; mso-fareast-font-family: Calibri;">CALL FOR PRESENTATION 2017</span></b></div>
<div align="center" class="BodyA" style="mso-pagination: none; text-align: center;">
<span lang="EN-US" style="font-family: "Calibri","sans-serif"; mso-fareast-font-family: Calibri;">
<br />
</span><b><span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: Calibri;">Action and Activism</span></b><i><span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: Calibri;"></span></i></div>
<div align="center" class="BodyA" style="mso-pagination: none; text-align: center;">
<br /></div>
<div align="center" class="BodyA" style="mso-pagination: none; text-align: center;">
<b><i><span lang="EN-US" style="background: white; font-family: "Calibri","sans-serif"; mso-fareast-font-family: Calibri;">Appearances of the Political 4/6</span></i></b><i><span lang="EN-US" style="font-family: "Calibri","sans-serif"; mso-fareast-font-family: Calibri;"></span></i></div>
<div align="center" class="BodyA" style="mso-pagination: none; text-align: center;">
<span lang="EN-US" style="font-family: "Calibri","sans-serif"; mso-fareast-font-family: Calibri;">Summer Symposium: 26<sup>th</sup> of July - 2<sup>nd</sup> of August,
Saulkrasti, Latvia</span></div>
<div class="BodyA" style="mso-pagination: none;">
<br /></div>
<div class="BodyA" style="mso-pagination: none;">
<br /></div>
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<b><span lang="EN-US" style="font-family: "Calibri","sans-serif"; mso-fareast-font-family: Calibri;">Theme
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<div class="Default">
<span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: Calibri;">Since the1960s the
active forms of the political have been manifold, from marches, demonstrations
interventions, and happenings, to more radical forms such as occupations – and
even violent forms such as terrorism. In recent years, we have witnessed a revitalisation
of mass movements through use of internet and social media, including the
creation of new movements like Occupy and Indignados, and new activities like
the hacktivism of Anonymous. In relation to the environment, we find guerrilla
gardening, along with local protests against corporate use of natural
resources, engaging people across traditional political groupings. Many forms
of activism also face political resistance defining – or redefining – the
political space that is threatening democratic rights with agendas of
terrorism, challenging or reshaping the space for political activism.</span></div>
<div class="BodyA" style="mso-pagination: none;">
<span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-fareast-font-family: Calibri;">In
this summer session, we will primarily explore forms of activism today, but
historical views are also welcome. We encourage participants to share analysis
and criticism of concrete examples and discussions, or share texts throwing
light over the topic, thereby offering platforms for critical discourses.</span></div>
<div class="BodyA" style="mso-pagination: none;">
<span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-fareast-font-family: Calibri;">By
political we understand ways of organising and administrating our environment.
While this obviously has an explicit form in political institutions and
debates, it also has a variety of other appearances such as: in art and
literature, in design, architecture and urban planning, in consumer culture and
fashion, in organisation of work, communication and entertainment, etc.</span></div>
<div class="BodyA" style="mso-pagination: none;">
<span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-fareast-font-family: Calibri;">We
plan joined sessions with the circles 1 (Understanding Migration in Nordic and
Baltic Countries) and 5 (International Relations and Human Rights). </span></div>
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<br /></div>
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<span class="im"><b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="background: white; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial;">PRELIMINARY </span></b></span><span class="im"><b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="background: white; mso-ansi-language: EN-GB; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">PROGRAMME</span></b></span><span class="im"><span lang="EN-GB" style="background: white; mso-ansi-language: EN-GB;"></span></span></div>
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<span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-fareast-font-family: Calibri;"><br />
</span><b><span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: Calibri;">Action and Activism</span></b><i><span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: Calibri;"></span></i></div>
<div align="center" class="BodyA" style="mso-pagination: none; text-align: center;">
<br /></div>
<div align="center" class="BodyA" style="mso-pagination: none; text-align: center;">
<b><i><span lang="EN-US" style="background: white; font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-fareast-font-family: Calibri;">Appearances of the Political
4/6</span></i></b><i><span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-fareast-font-family: Calibri;"></span></i></div>
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<span lang="EN-US" style="font-family: "Calibri","sans-serif"; font-size: 11.0pt; mso-fareast-font-family: Calibri;">Summer Symposium: 26<sup>th</sup> of July - 2<sup>nd</sup>
of August, Saulkrasti, Latvia</span></div>
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<br /></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="background: white; color: #222222; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Plarent
Aleksi, </span></b><span lang="IS" style="background: white; color: #222222; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Struggle
for Political Representation on poor and developing countries</span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Elisabetta Di Stefano</span></b><span lang="IS" style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">, </span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Performance Art between Political Action and Aesthetic Experience</span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="background: white; color: #222222; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Carsten
Friberg</span></b><span lang="IS" style="background: white; color: #222222; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">, </span><span lang="EN-GB" style="mso-ansi-language: EN-GB; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Apathy and (in)activity. Reflections on Odo Marquard’s lectures on
Existentialism</span><span lang="IS" style="background: white; color: #222222; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Olivia Glasser</span></b><span lang="IS" style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">, <span style="background: white;">Political Activism at an Institutional Level:
Democratic and Educational Implications</span></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="background: white; color: #222222; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Onerva
Kiianlinna</span></b><span lang="IS" style="background: white; color: #222222; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">, </span><span lang="IS" style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
space for human rights activism opened by the aesthetics of diplomacy</span></div>
<div class="Default" style="line-height: 150%; margin-left: 63.8pt; text-indent: -63.8pt;">
<b><span style="font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Iiris Konttinen</span></b><span style="font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">, </span><span style="font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">O<span style="mso-bidi-font-weight: bold;">n Contemporary Infrastructure and Activism <span style="mso-bidi-font-style: italic;">Extrastatecraft </span>and <span style="mso-bidi-font-style: italic;">The Fate of Art in the Age of Terror </span></span></span></div>
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Kristberga, </span></b><span lang="IS" style="background: white; color: #222222; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Appropriation
in Art in Latvia in the 1970s</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: #222222; mso-ansi-language: DA; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Ellen Raunsmed, </span></b><span style="color: #222222; mso-ansi-language: DA; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">TBA</span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: #222222; mso-ansi-language: DA; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Emily Amanda Sharratt</span></b><span style="color: #222222; mso-ansi-language: DA; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">, <span style="mso-bidi-font-weight: bold;">Activism and
ideology</span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Margus Vilhalem</span></b><span lang="IS" style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">, <span style="mso-bidi-font-weight: bold;">Exploring the Soviet aesthetics: Marxist-Leninist ideology and its
implications on aesthetics</span></span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="background: white; color: #222222; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mette Smølz Skau</span></b></div>
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<br /></div>
<br />Appolhttp://www.blogger.com/profile/14153589223518163701noreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-7148638498137255912019-06-26T16:41:00.003+02:002019-06-26T16:41:52.444+02:00Winter session 2017<!--[if !mso]>
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<span style="font-family: "Palatino Linotype","serif"; mso-ansi-language: DA; mso-bidi-font-size: 12.0pt; mso-fareast-language: DA; mso-no-proof: yes;">
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<br /></div>
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<span class="im"><b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="background: white; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial;">Programme</span></b></span></div>
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<br /></div>
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<span lang="IS" style="color: black; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-bidi-font-family: Calibri;"><span style="mso-spacerun: yes;"> </span><b>AESTHETICS,
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<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; mso-pagination: none; text-align: center;">
<span class="im"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span lang="EN-GB" style="background: white; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial;">Appearances
of the Political 3/6</span></i></b></span><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span lang="EN-GB" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB;"></span></i></b></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; mso-pagination: none; text-align: center;">
<span lang="EN-GB" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">Winter Symposium:
</span><span class="im"><span lang="EN-GB" style="background: white; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial;">February 24-26, 2017</span></span><span lang="EN-GB" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">, </span><span class="im"><span lang="EN-GB" style="background: white; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial;">University of Wroc</span></span><span lang="IS" style="color: black; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-bidi-font-family: Calibri;">ł</span><span class="im"><span lang="EN-GB" style="background: white; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial;">aw, Poland
</span></span></div>
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<span class="im"><span lang="EN-GB" style="background: white; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial;">in </span></span><span lang="EN-GB" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">collaboration with </span><span class="im"><b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="background: white; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial;">University of Wroc</span></b></span><b style="mso-bidi-font-weight: normal;"><span lang="IS" style="color: black; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-bidi-font-family: Calibri;">ł</span></b><span class="im"><b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="background: white; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-font-family: Arial;">aw</span></b></span><span lang="EN-GB" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"> </span><span lang="EN-GB" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-GB;"></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">Friday,
February 24th</span></b></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">14:00-15:00 <span style="mso-tab-count: 1;"> </span>Welcome & Registration</span></div>
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<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">15:00-15:30<span style="mso-tab-count: 1;"> </span>Introduction</span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">15:30-16:00<span style="mso-tab-count: 1;"> </span></span><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: DA;">Jozef Kovalčik,
(Slovakia)<span style="mso-tab-count: 1;"> </span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Art Education,
Aesthetics and Democratic Practice</span></b><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;"> </span><b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
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<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">16:00-16:30<span style="mso-tab-count: 1;"> </span></span><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">Carsten Friberg
(Denmark)</span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Piano Lessons and the
Drill. Reflection on the Aesthetics of Education</span></b></div>
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<div class="MsoNormal" style="line-height: normal; margin-left: 35.4pt; text-indent: 35.4pt;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Authenticity
Manifested: Street Art and Artification</span></b><span class="shorttext"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b></span><b style="mso-bidi-font-weight: normal;"><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">17:15-17:45<span style="mso-tab-count: 1;"> </span></span><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Max Ryynänen (Finland)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 70.8pt;">
<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="background: white; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Material Culture of
Resistance Culture. An Aesthetic Point of View</span></b></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">After 17:45<span style="mso-tab-count: 1;"> </span>Hotel check-in </span></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">19:00<span style="mso-tab-count: 2;"> </span>Reception</span></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">20.00<span style="mso-tab-count: 2;"> </span>Dinner</span></div>
<div class="MsoNormal" style="line-height: normal;">
<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">Saturday,
February 25th</span></b></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">9:00-9:45:<span style="mso-tab-count: 1;"> </span>Reflection</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">9:45-10:15<span style="mso-tab-count: 1;"> </span></span><span lang="IS" style="background: white; color: #222222; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Marciana Krauze & Mara Neikena (Latvia)</span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-left: 70.8pt;">
<b><span lang="EN-US" style="color: #222222; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: DA;">Internet as a resource in capitalist market: the
remake of private stories into national news</span></b><span lang="IS" style="color: #222222; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: DA;"></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-weight: bold; mso-bidi-theme-font: minor-latin;">10:15-10:45<span style="mso-tab-count: 1;"> </span>Giedre Vaicekauskiene </span><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(Lithuania) </span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 70.8pt;">
<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Politicians – Creations of Media. What‘s New
and How is it Happening?</span></b></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">10:45-11:00<span style="mso-tab-count: 1;"> </span>Break<span style="mso-tab-count: 1;"> </span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">11:15-11:45<span style="mso-tab-count: 1;"> </span>Rosita Vaičiule<span style="background: white; color: #222222;"> (Lithuania)</span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 35.4pt; text-indent: 35.4pt;">
<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="background: white; color: #222222; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Media Ecology</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="IS" style="background: white; color: #222222; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">11:45-12:15<span style="mso-tab-count: 1;"> </span></span><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Artur Gałkowski, & Łukasz Jan Berezowski (Poland)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 70.8pt;">
<span class="shorttext"><b style="mso-bidi-font-weight: normal;"><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The (d)evolution of political
communication in Italy: Beppe Grillo’s case</span></b></span></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">12:15:13:30<span style="mso-tab-count: 1;"> </span>Lunch</span></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">13:30-14:30<span style="mso-tab-count: 1;"> </span>Programme with other circles</span></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">14:30-15:00<span style="mso-tab-count: 1;"> </span>Sharing experiences</span></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">15:00-15:15<span style="mso-tab-count: 1;"> </span>Break</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">15:15-15:45<span style="mso-tab-count: 1;"> </span></span><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Mateusz </span><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: DA;">Salwa </span><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">(Poland)</span><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: DA;"></span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 35.4pt; text-indent: 35.4pt;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Creating a
National Landscape</span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">15:45-16:15<span style="mso-tab-count: 1;"> </span></span><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Corinna Casi (Finland)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 35.4pt; text-indent: 35.4pt;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The
Non-economic Value of the Barents Region</span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-GB" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">16:15-16:45<span style="mso-tab-count: 1;"> </span>Johanne Aarup Hansen, (Denmark)</span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-left: 35.4pt; text-indent: 35.4pt;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Different forms of money</span></b><b style="mso-bidi-font-weight: normal;"><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: DA;"></span></b></div>
<div class="MsoNormal" style="background: white; line-height: normal;">
<span lang="EN-GB" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">16:45-17:00<span style="mso-tab-count: 1;"> </span>Break</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="EN-GB" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">17:00-17:30<span style="mso-tab-count: 1;"> </span></span><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Elisabetta Di Stefano (Italy)</span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 35.4pt; text-indent: 35.4pt;">
<span class="shorttext"><b style="mso-bidi-font-weight: normal;"><span lang="EN" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Stage show of Politics: space, symbols, colors</span></b></span><b style="mso-bidi-font-weight: normal;"><span lang="EN" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">17:30-18:00<span style="mso-tab-count: 1;"> </span></span><span lang="IS" style="background: white; color: #222222; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Raine Vasquez
(Finland)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 35.4pt; text-indent: 35.4pt;">
<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-style: italic; mso-bidi-theme-font: minor-latin;">The Museum of
Impossible Forms</span></b><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;"></span></div>
<div class="MsoNormal" style="background: white; line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">18:00-19:00<span style="mso-tab-count: 1;"> </span></span><span lang="IS" style="background: white; color: #222222; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Discussions</span><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;"></span></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">19:30 <span style="mso-tab-count: 2;"> </span>Festive Dinner</span></div>
<div class="MsoNormal" style="line-height: normal;">
<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<b style="mso-bidi-font-weight: normal;"><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">Sunday,
February 26th</span></b></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">9:00-9:45<span style="mso-tab-count: 1;"> </span>Reflection</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="IS" style="background: white; color: #222222; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">9:45-10:15<span style="mso-tab-count: 1;"> </span>Noora-Helena
Korpelainen, (Finland)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 35.4pt; text-indent: 35.4pt;">
<b><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-font-style: italic; mso-bidi-theme-font: minor-latin;">The Utopia of Dancing Finland?</span></b></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">10:15-10:30<span style="mso-tab-count: 1;"> </span>Break</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">10:30-11:00<span style="mso-tab-count: 1;"> </span>Tomasz Ferenc (</span><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Poland)</span><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 70.8pt;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Monuments and counter
– monuments on example of memorials from Hamburg</span></b><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">11:00-11:30<span style="mso-tab-count: 1;"> </span>Aleksandra Makowska-Ferenc (Poland)</span></div>
<div class="MsoNormal" style="line-height: normal; margin-left: 70.8pt;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">War monuments, space
and memory. Monuments of excluded heroes in urban space of London</span></b><span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">11:30-12:15<span style="mso-tab-count: 1;"> </span>Concluding discussions / summer session and
future of the circle</span><b style="mso-bidi-font-weight: normal;"><span lang="IS" style="background: white; font-family: "Palatino Linotype","serif"; font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></b></div>
<div class="MsoNormal" style="line-height: normal;">
<span lang="IS" style="font-family: "Palatino Linotype","serif"; font-size: 12.0pt;">12:15:13:30<span style="mso-tab-count: 1;"> </span>Evaluation, Lunch & Farewell</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
Appolhttp://www.blogger.com/profile/14153589223518163701noreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-52587055647479805072017-03-24T10:14:00.001+01:002017-03-24T10:14:57.870+01:00Carsten Friberg's report from Wroclaw<br />
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<br />
Appearances of the Political, third meeting.<br /><br />
Wroclaw, 24-26 February, 2017 at the University of Wroclaw.<br /><br />
Carsten Friberg<br /><br />
The following are reflections based on the third meeting in the study circle. The circle also joined forces with three other circles in NSU, "Understanding Migration in Nordic and Baltic Countries", "International Relations and Human Rights" and "Comparative Futurologies" and with the help of four local PhD-students known as the Polish Power Team the circles created an ambiance for the seminar with similarities to the summer session.<br />
<br />The circle was formed by 21 participants from Poland, Lithuania, Latvia, Slovakia, Italy, Finland and Denmark. The theme was Aesthetics, Politics and Material Culture.<br />
<br />An idea behind the circle is that the political appears in many forms and in many contexts of which some are more obvious than others and many are overlooked, ignored or simply not considered political. The political is concerned with the organisation of the society – whether the scale is the ancient polis giving name to our discourses on the political or modern societies bound to the borders of national legislation and international agreements.<br />
<br />Not all political discourses lead to legislation and not all political appearances are concerned with legal institutions but to be reminded of the relation may seem of increasing importance in the current political situation where more debates show disrespect for and even attack on the legal system in the name of other values such as a will of the people (populism), personal freedom and unlimited growth in economic activities. Questions like what the will of the people is and how individual freedom relates to responsibility for a community and the environment become urgent.<br />
<br />Throughout Western philosophical tradition a fundamental problem has been the relation between the particular and the general, which is a problem concerning epistemology: how is this particular object subsumed under a general concept, but also a problem of social relations: how is this individual related to a larger public? A parallel between nature and politics can be drawn: We cannot make sense of phenomena in nature without talking of general laws, though the perceptions of what kind of law have changed over the millenniums. Nature without laws is a chaos of random phenomena giving no knowledge whatsoever. Likewise we cannot have a social life without laws regulating individual interests – where the law is absent anarchy, in its sense of conflict, rules.<br />
<br />Nature, related to Latin nasci, to be born, is concerned with growth from inherent principles. Throughout Western history nature was the guiding principle for knowledge and for organising human affairs. Today it has become battleground for ideas. An idea of limitless growth, such as in the current dominating economic model, can only be seen as unnatural from an old perspective, while for a modern perspective nature becomes a resource to transform into economic value. According to such logic nature is not a limit to our activities but a potential for development. Where limits are reached the shortage will stimulate invention and innovative solutions and limits are then creative stimulations for human enterprises.<br />
<br />Such a perspective has an implicit agenda: our common wealth is based on making use of resources and opposing the use can be seen as a threat to the common good. Corinna Casi asked, with the Barent's sea as example – an area becoming subject to an increased interest due to the potential value of its resources and new traffic routes made possible by climate changes opening up the North Pole – if the economic view of cost-benefit could be met with values that are not economic. With reference to the American philosopher Mark Sagoff she argued for the need to investigate and clarify non-economic values in the natural environment evaluated through historic, ethic and ecological aspects of the ecosystem.<br /><br />
For centuries the relation to nature has been that nature gives value to culture. Today it is human activities that give value to nature. Kant can appear as a turning point when he insists we can view nature as if it is created by intelligence but we cannot know it – on the other hand we cannot know different either. Art imitates nature has for centuries been essential but with Kant it becomes nature we are able to see as if it is like art. The Enlightenment, to which Kant belongs, is a period of changing interpretations and another idea becoming dominant is the expectation of quantifying for measuring – measuring also value. An example is Jeremy Bentham’s struggle with measuring improvements in society based on the principle, essential to utilitarianism, of seeking the greatest happiness for the greatest number, an idea found in 18th century discourses – one can think of Joseph Priestly and Cesare Beccaria. A way to measure this for Bentham is money. We invest our resources in expectation of an outcome we benefit from – and the beneficial outcome is to be happy.<br />Monetary economy seems to be on a constant expansion into more fields that can be subject to economic activities, like experiences (Pine & Gilmore) and attention (Georg Franck, Ökonomie der Aufmerksamkeit) and human existence in a broad sense (Gary S. Becker, human capital) while other approaches have raised questions about the complex forms of giving value to something and what exchange is (George Bataille, La part maudite, Pierre Klosowsky, La monnaie vivante, Jean Baudrillard, L’Échange impossible – to name a few).<br /><br />
The monetary system appears to be omnipresent in current Western societies. The exchange of goods which formed the foundation of economy has long been exceeded by an economy of expectations where the fictive future activities matter most and the money exchanged are created not to give us concrete means in our hands, coins and bills, but to become fictive numbers in the financial sector. Johanne Aarup Hansen presented a project from her collaboration with an ethnographer, Pernille Gøtz, about investigating how different people relate to different forms of money. Through mapping out the relational and material properties of four different forms of money intended for an exhibition context, awareness will be created to the role that money plays in society and consequently the political implications.<br /><br />
Coming back to nature it can also have a role in ideas of national identity. The natural environment has, at least since 16th century (Jean Bodin), been referred to for its influence on moral characters hence also political constitutions, an influence due to impact of climate – Jean-Jacques Rousseau could see Poland as the most northern to take into consideration (Du contrat social III, viii). The importance of landscape became far more distinct in the Romantic movement but is not less present in contemporary ideas of how a specific landscape is and how it relates to memories and narratives of its inhabitants. Mateusz Salwa gave an example of it with the film “Polska. Where unbelievable happens” from 2014, produced by the Polish Ministry of Foreign Affairs showing scenes taking place in different landscapes showing traditional or hi-tech aspects of Poland.<br /><br />
The nature we would once orient towards and see forming people may today be subject to ideas forming it so it can help forming national identity. Taking the cultivation of most European landscapes into consideration one must ask what the national landscape really can be. What is considered natural is formed to reflect social, political and cultural issues and used – or rather created – in order to offer an (official) image of national identity. But what we think of as the ‘natural’ landscape will often turn out to be cultivated only some generations ago and full of invasive species.<br />Identity is essential to knowledge which is about relating something to something else giving it a position within a complex pattern of different elements and relations. There is nothing surprisingly about the question of identification also concerning other people. It is the choice of legitimacy for the identification that is interesting. Many people have a last name which indicates the family relation: son or daughter of someone. For most of us today it has now become a name without this significance. So what is hidden in this exchange of family with a national identity, which is also to identify with a larger political unit – a legislative unit?<br /><br />
We carry with us papers for identification. But what do they really identify? Giorgio Agamben (in Nudità) draws attention to a shift from identifying the person, referring to how persona originally meant a mask – Thomas Hobbes can say »that a person is the same that and actor is, both on the stage and in common conversation« (Leviathan xvi, 3). It defined the juridical person to later, in 19th century, become a photo and a print of the thump dipped in ink. The identification is then made by stripping off the history and social position from the person to reach the biological individual – Agamben calls it Identity without the Person; in what seems a prominent strategy of the modern world, to insist on the naked truth, or to say like Odo Marquard, to be obsessed with striptease (Lob der Polytheismus).<br /><br />
Our face, writes Peter Sloterdijk (Sphären I), has for most of our history not been for ourselves but for others. Until mirrors became common – and for most people we talk about 19th century – we would hardly know our own face apart from occasional reflections in water. But we would know other people’s reaction to our face. A culture of mirrors also turns our gaze inwards; our personal identity seems to change from playing our role in society to become an idea of who we really are before engaging with others.<br /><br />
Why has identity politics become so prominent on the agenda today? Does it answer the disappearance of old patterns of identification? Is it about understanding or about claiming or exercising powers? And why has one particular answer to identity become so important: The national origin.<br /><br />
‘Where are you from?’ is a question we ask each other with specific expectations. ‘I’m from Europe’ is not sufficient. ‘I’m from Copenhagen’ may do, then the other can conclude ‘ah, so you are from Denmark!’ Why is it we find this identification so important? And even ask for the birthplace someone is from. How many years does one have to live in one country before the original country is no longer the right answer? Imagine the coloured person in the north – when the answer is ‘I’m from Denmark’ the counter question may be ‘yes, but where are you really from?’ ‘I was born in Ghana, but came to Denmark when I was three’. Now relief is shown on the face of the other: ‘I see, you are from Africa!’<br /><br />
The ancient philosopher Diogenes – and while there are more ancient philosopher’s with the name Diogenes we need to identify which of them, and will often say Diogenes from Sinope – was famously known for insisting he did not belong to one particular polis, one particular city, but he was a world-citizen, a cosmopolite. Whether this was a positive ideal or to make a virtue of necessity – he was sent into exile – one can only guess. But in the light of the importance of national identities in current political debates there is need for more than guessing about their forms, origins and legitimacy. A project like ‘Dancing Finland’ that Noora-Helena Korpelainen presented appears at first as a very sympathetic project for Finland’s centenary celebration year with the theme “Together” meant to help in the fight against exclusion and isolation. However, she made aware of questions to ask whether such a project in principle differs in its appeal from other choreographies celebrating the totalitarian state or becoming subject to mindless populism. Is the material culture we are permanently involved in forming us beyond what we are aware of or can we improve, or at least train, a conscious embodiment which makes us aware of one’s own and others material existence as body-minds, as suggested by the philosopher Richard Shusterman?<br /><br />
This relation between the material environment and its influence on us along with the physical training of our bodies in education is also what my own presentation intended to draw attention to. What we today talk about as aesthetic objects have throughout Western tradition been central for sensorial and bodily education of social skills. This is found in discussions about taste where we demonstrate cultural belonging and social categories as the outcome of exercising specific sensorial and bodily practices in order to be receptive in a specific way. It forms a foundation for our practical lives in which we are confronted with our interpretation of the world present to us in the products and organisations we are involved with. An awareness of the educational aspect of the environment directs focus towards how they affect us and hence educate us.<br /><br />
An explicit contribution to education and specific to the creation of national identity and character is through monuments of war. The controversies over such monuments reveal changing narratives. Tomasz Ferenc presented an example from Hamburg of a monument from 1931 devoted to soldiers killed during the French-Prussian war and First World War, a monument expressing grief and loss. In conflict with ideas of a new spirit of the nation and military power of the Nazi party a new monument was made in 1936 by Richard Kuöhl to be in accordance with Nazi ideas, a monument that should have been destroyed after World War II but is instead now met with a counter-monument made by Alfred Hrdlicka devoted to civil victims of war instead of to the soldiers.<br /><br />
Like landscape and dancing raise questions of their implications monuments do as well. They shape and sustain social memories and become tools of inclusion and exclusion of historical events, groups and individuals. Monuments appear as discourses one should be aware of and engage in. Like Hrdlicka’s comment in Hamburg Aleksandra Makowska-Ferenc showed how monuments in London reflecting the history of British empire also have alternative narratives such as in Monument to the Woman of World War II and Animals in War. Both show what is otherwise ignored and perhaps intentionally removed from the discourse of war as it could be considered not only irrelevant but also dangerous to the chosen discourse – it is not reserved Nazi regimes to insist on a particular narrative. Monuments challenging the dominant narrative represent change in discourses but a question raised is to what extent. Is the discourse questioning the narrative as we know them – adding to them other perspectives now to be included? Do they question the premises for the discourses of war, such as glorification, patriarchal narrative of war and similar implications of the war monuments? How much attention do we pay to monuments? Often they become sights of attraction for tourists; are we then still affected by them? And paying attention to their message and to how they convey it?<br /><br />
When it comes to the direct communication in the political landscape we know from classical rhetoric how important the presence of the person is. How the ethos matters to the reception by the audience. Attention, as mentioned above seen by Georg Franck as becoming scarce and hence of value in our society, is crucial for the politician and, as Giedre Vaicekauskiene discussed, media play the central role in creating it as well as the ethos of the politician. The non-verbal side of communication becomes emphasised through media making the political person present to us in ways we never experience – we rarely, if ever, meet the national politicians in real life and if we do it will be in contexts where we will not come very close to them. Often media will be used to bring them close to us and to make them become present as human beings to create trust in them as persons.<br />We know this is a production of the politician, we know others are writing speeches and staging their presence and also that media itself initiates the production of politics to the extent where they change political strategies and act as required by the mass media. Politics, has, as Elisabetta Di Stefano could<br />say, become a stage show and has long abandoned what in classical culture would be considered the art of politics as long with the art of rhetoric.<br /><br />
Rhetoric has often a bad reputation of being about manipulating the audience with any means possible, but one should keep in mind the definition of rhetoric from Quintilian, vir bonus dicendi peritus, that it is the good man, i.e. the citizen who is capable as performing the duties as citizen, who is skilled in speaking, i.e. in saying what the situation requires to be said. To manipulate the audience is no art – already Plato made, in the dialogue Gorgias, aware of this when he complained about the Sophists not being able to transmit insight and knowledge to the audience but only to generate pleasure. Many political discourses turn out to be more about making people feel good than making them feel convinced that the politician will be able to do good.<br /><br />
Images are in more ways replacing the presence of people in an exchange without the symbolic value. Like the monument once having significance because it made something of importance present now becomes a trophy for the tourist to be include into the collection of selfies in front of famous places, also symbols in the political discourses can be deprived of any symbolic value to become only images creating fascination for the time being like commercial brands.<br /><br />
It is strikingly how these discourses may have similarities to discussions from the 60’s such as the images becoming empty pseudo-events manufactured for creating an event to report (Daniel Boorstin, The Image), the importance of the media as no neutral means of messages but itself forming it and worth the attention for what it does (Marshall McLuhan, The medium is the Message) and the play of images in the spectacle of a capitalist consumer culture (Guy Debord, La société du spectacle).<br /><br />
Italian cases were brought in, the blue and the words: forza Italia in football appropriated by the political movement of Silvio Berlusconi and Artur Gałkowski & Łukasz Jan Berezowski could add to this Beppe Grillo and the Five Stars Movement appearing as a movement to enter the vacuum created after the collapse of the traditional political parties. While the collapse was in the 90s there seems still not to be a full recovery which calls out the combination of addressing different widespread concerns among voters, which may be considered a form of populism, as well as taking the fool’s role to the extreme of no longer being the satirical voice saying what needs to be said but cannot be said by others to now become a voice within the political discourse. Will this form of political activism also evolve into a democratic and open-minded platform for governance or remain a populist voice in a chaotic political battlefield?<br />
<br />The role of the media is essential, to the extent of not being the messenger but the messages themselves, and Marciana Krauze & Mara Neikena presented research into the complexity of online information in the context of modern capitalist markets where social media such as Instagram create stories. A question may be what kind of stories, or simply if there really are stories. It seems to fit perfect with what Boorstin calls pseudo-events but question is then who is to judge the relevance and what is real and what is ‘pseudo’? The Danish translation of Boorstin has chosen synthetic, which may as well have negative connotations but could also suggest the element of production – the production of events and entertainment which attract, Franck again, attention and generates a monetary value. More agendas seem to be present. The exposure of privacy which can both be seen as a narcissist exposure, seeking confirmation of one’s self-image but also as an interest in sharing with others what may be believed to be of interest and what editors of the media platforms as well believe to be to the benefit of not only their profit but people’s belief about what is good.<br />Are pseudo- or synthetic news really news? Or fake news? A critical culture has based itself on the distinction between appearance and being and has little doubt: a critical apparatus must be activated to unmask hidden structures of powers. But the unmasking is itself a matter of power imposing a<br />particular world-view on others. To what extent is the political critique able to unmask its hidden agendas?<br /><br />
We have seen more times how an attempt to be oppositional and radical in critique such as carried out by more avant-garde arts turn out to be only affirmative to the society criticised, like when Michèle Bernstein for a Situationist exhibition with Victoire des Républicains Espagnols could comment on the monochrome art of Yves Klein and Piero Manzoni, thought to be immaterial art exposing an affective presence and offering a different reality, by pointing at such attempts to be a delusive escape of the society of spectacles which needs an opposition from within and not an escape to immaterial and imaginative alternatives. Such escapes will again turn out to camouflage the consumer culture and even be affirmative to its offer of buying happiness.<br />Does art in any way have a privilege as critical – a privilege to the use of Instagram? While some, like Richard Shusterman, will argue that popular culture may be responsible for profound changes in our society because it can reach out in ways impossible for avant-garde art – such as creating a genre like rock and roll as a fusion of rhythm and blues, country, jazz, blues, gospel as well as black and white, and urban and rural – others will say these changes never challenge fundamental structures. How many of the liberations of the 60s were real liberation from cultural patterns or just creation of new groups of consumers?<br /><br />
What is, for example, something like street artworks? Adam Andrzejewski discussed it pointing at how it transforms the space around particular artworks. A street artwork may be seen as intervention into places which does not leave the space untouched. Interventions are manifold, the billboard is one, tags another – the first one legal the second illegal claim of right to use the public space. While street artworks are commissioned and, most often, considered an improvement they are also in a perspective similar to the Situationist’s affirmative as they do not challenge the structures, only compensate for the worst flaws. Tags and graffiti wish to claim the public space for some of its users – taking part in a fight for the user’s rights to the public space.<br />The value of artistic interventions can be subject for more controversies. As Jozef Kovalčik pointed out the art education has a huge influence on what is perceived as art. While the art academies apparently have moved away from a self-perception as safeguarding a high culture heritage to now also including elements of popular culture he questioned whether they really have become more inclusive and open or are still producing and reproducing high culture. The evaluative criteria within the institutions may still be in accordance with categories of the high culture insensitive to everyday life which is considered not to be intellectual or sophisticated enough. Perhaps it turns out that some liberals and leftists hold a perspective similar to a conservative like Roger Scruton, who has fiercely criticised popular culture for being empty, superficial noise in lack of artistic values, i.e. of transforming the spiritual content of the Western culture.<br />Artistic interventions into public spaces may often go wrong, communicating only to fellow critique and not to the public it intended to address. How to make art communicate, when communication is intended? To make Conversation Pieces as the title is of Grant Kester’s book on what he calls dialogical aesthetics? Not only may the intervention fail and the dialogue fall apart – if it was even established in the first place; aesthetics may also contribute to a cultural segregation by forming and enhancing certain standards demonstrated in the expression of taste and also to appropriate the artistic critique by reducing it to something that can be placed in institutional frames as object of aesthetic appreciation.<br /><br />
Perhaps such challenges are present in the considerations for a project in the suburb of Kontula located in east Helsinki that Raine Vasquez participate in and presented. An area regarded as a low<br />income working class area with a high level of unemployment and social conflicts today being transformed due to demographic changes. Not considered a place for cultural activities the project will give voice to the culture that nevertheless is present through a House of Culture set up by the museum of Impossible Forms. The question of balancing between high art and popular culture seem to underlie this project regarding engaging sincerely, ethically, and from within meaningfully. Giving voice to the present culture by offering space and expertise is no neutral approach despite intentions of not importing culture and to co-generate it with the community, which in return may ask for help to improve and change their own practices in accordance with what they believe they should do.<br />Anything we do is an intervention and a matter of participating in power structures – structures going behind our bag or structures we actively engage in. Those behind our bag call for different radical strategies – like the Situationists mentioned – and seem often doomed to lead to a form of political depression, as Max Ryynänen shared from his own works. Doomed to, or perhaps a better expression is cursed by, a curse, to follow Peter Sloterdijk, coming from being so occupied with opposing and performing resistance to power that the radical critique loses its oppositional power and even legitimacy when it ends in celebration of the critical position rather than having a political impact. Perhaps some philosophical patterns are recognised here. One of the few – perhaps even the only – philosophers recognised by all philosophical traditions is Kant. If we ignore he is not celebrated in the same way by all they will still agree that his merit is questioning the dogmatic character of his predecessors. Not many philosophers after Kant succeed in avoiding falling back into dogmatism, and those who do not are haunted by depressions similar to the political. Whenever we question something we are using a language already containing the possible answers to the questions. We may believe God is dead, but we will not get rid of him as long as we believe in the grammar is what Nietzsche fears in Die »Vernunft« in der Philosophie. We maintain a hierarchy in how we interpret anything because the langue gives us no alternative. And in practice we maintain a divine position in our organisation, like Agamben can draw attention to in Che cos’è in dispositivo? linking economy to theological discourses on how to explain the impossible of Christian theology that God is both one and three. The son is entrusted with the governance of the father’s house, the economy, but in that model he also becomes the governor of something removed from the being of the father – and when the father dies the economy can no longer find any foundation in being but is still present as a governance we are all subject to. The omnipresence of economy as ruling principle in modern society may be the substitution of the ontology abandoned with the critical philosophy of Kant and the disappearing of foundation with God’s withdrawal. Perhaps society becomes ontology, but society is nothing static and given – it is us.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-22063138395134657802016-09-22T10:16:00.001+02:002016-09-22T10:16:43.596+02:00Ideas presented in the circle, part 1<a href="https://www.blogger.com/Nyt%20on%20vaihtohaku%20jo%20k%C3%A4ynniss%C3%A4%20ensi%20kev%C3%A4%C3%A4lle,%20joten%20tuskin%20en%C3%A4%C3%A4%20ehdit%C3%A4%C3%A4n%20saada%20aikaan%20opiskelijavaihtosopimusta%20niin%20ett%C3%A4%20se%20toimii%20jo%20kev%C3%A4%C3%A4ksi%20(uusien%20sopimusten%20lis%C3%A4%C3%A4minen%20kesken%20hakua%20ei%20ole%20kovin%20suosittu%20ehdotus).%20%20Opettajavaihtosopimus%20voidaan%20tehd%C3%A4%20vaikka%20heti,%20joskin%20molemmat%20osapuolet%20ovat%20allekirjoittaneet%20sen%20vasta%2024.10.,%20jos%20tarvitset%20sit%C3%A4%20seuraavaan%20vierailuusi,%20t%C3%A4ytyy%20p%C3%A4iv%C3%A4m%C3%A4%C3%A4rien%20kanssa%20olla%20luova.%20%20Henkil%C3%B6kuntavaihto%20sen%20sijaan%20onnistuu%20ilman%20sopimusta,%20katso%20t%C3%A4%C3%A4lt%C3%A4%20tarkempi%20kuvaus:%20https://inside.aalto.fi/pages/viewpage.action?pageId=38800402#Erasmus-liikkuvuusapurahathenkil%C3%B6kunnalle-Erasmus-liikkuvuusapurahatmuullehenkil%C3%B6kunnalle%20Selvennykseksi%20siis%20ett%C3%A4%20opettajatkin%20voivat%20k%C3%A4ytt%C3%A4%C3%A4%20muulle%20henkil%C3%B6kunnalle%20tarkoitettua%20rahaa.%20%20Summa%20summarum:%20opettajavaihtosopimus%20voidaan%20tehd%C3%A4%20vaikka%20heti,%20ja%20sit%C3%A4%20voi%20k%C3%A4ytt%C3%A4%C3%A4%20heti%20kunhan%20molemmat%20tahot%20ovat%20sen%20allekirjoittaneet.%20My%C3%B6s%20opiskelijasopimuksen%20voi%20tehd%C3%A4%20heti,%20jos%20niin%20halutaan,%20mutta%20jos%20sill%C3%A4%20halutaan%20opiskelijoita%20jo%20kev%C3%A4%C3%A4ksi,%20vaaditaan%20erityistoimenpiteit%C3%A4.%20Jos%20haluat%20henkil%C3%B6kuntavaihtoon,%20lomake%20on%20liitteen%C3%A4,%20t%C3%A4yt%C3%A4%20se%20omalta%20osaltasi%20ja%20l%C3%A4het%C3%A4%20minulle.%20%20Jos%20sopimukseen%20tulee%20sek%C3%A4%20opiskelija-%20ett%C3%A4%20opettajavaihtoa,%20Iina%20tehnee%20sen,%20min%C3%A4%20voin%20tehd%C3%A4%20pelk%C3%A4n%20opettajavaihtosopimuksen.">Here</a> is Plarent Aleksi's presentation from Summer 2016 in Orivesi.<br />
<br />
And below, a short synopsis of Max Ryynänen's talk in Feb 2016 in Riga.<br />
<i>In my presentation I tried to ask if political concepts were actually at least partly aesthetic, i.e. if the meaning of e.g. "activism" in the end connects in a significant way to the forms of activism seen (flags, demonstrations, people making vegetarian food in flea market clothes) sometimes even more than to the political ideals which are at stake. One point in my presentation was that the culture of resistance often is more just culture without as much political impact as wanted, but I was not actually critical about this. On the contrary I think that if people don't go to the city council to change the world when there are plans to destroy an old building but rather come when it happens to repair bikes, play drums and so on, it is maybe some form of experiential culture which is good for the political health.</i>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-77298710375381429352016-09-14T13:41:00.006+02:002016-09-14T13:41:59.094+02:00CfP: AESTHETICS, POLITICS AND MATERIAL CULTURE (Wroclaw, Feb 24-26)AESTHETICS, POLITICS AND MATERIAL CULTURE<br />
<br />Appearances of the Political 3/6 Winter Symposium: February 24-26, 2017, Wrocław, Poland,<br />in collaboration with the University of Wrocław<br />
<br />We invite scholars, students, artists and third sector agents to study together the forms, appearances and the aesthetic functions of the political. These can be discussed in social, artistic, aesthetic and cultural terms and with any method which is able to shine light on the problematics. We aspire to articulate the ideological forces underlying today’s political thinking. We also want to inaugurate a debate on the role of cultural approaches in political analysis. We wish to break new paths in connecting the cultural humanities and the political sciences and invite participants to bravely explore new ways of studying these issues. We believe that experimentation is crucial for rethinking the political.<br />
<br />Theme of the Symposium<br />
<br />What kind of objects (flags, megaphones) do we use in demonstrations and what is their actual role? What is the material culture of party politics – besides suits, microphones, soup kettles at marketplaces where politicians meet the people and the big black cars, which take the politicians from place to place? What is the material culture of administration, or has it all just become embedded in the computer screens?<br />
<br />What are the aesthetic orders and material resources of the human rights, human catastrophes and the warfare producing them - and how are these issues tackled in art? What is the future of the role of these orders and resources?<br />
<br />How do neoliberal and capitalist forces occupy spaces with material culture? In what ways do they embody certain political ideas, not the least ideas anchored to the free market and the consumer society. Benches are not anymore good for sitting, in many places, as many want the people to just walk and shop.<br />
<br />Design in general contributes to forming physical space in accordance with ideologies and intentions and plays a role in how we view space: how it is accessible, hierarchies, limitation of certain actions. Design is also used for changing actions like forming social and environmental sustainability.<br />And how are Western democracies constructing physical answers to migration and refugees? When borders are made again visible, camps for refugees established and also different forms of personal appearances such as dress codes become battlefields for ideologies.<br />
<br />The symposium is hosted by the University of Wrocław and will be organized together with the NSU-circles Understanding Migration in Nordic and Baltic Countries, Crisis and Crisis Scenarios and International Relations and Human Rights. There will be joint sessions shared by all circles.<br />About the Study Group The intention of Appearances of the Political is to create a platform for future collaborations and applications, and to exchange knowledge and share common interest. It is important for the group to consult a variety of fields as broad as possible including political theory, philosophy, communication, social sciences and cultural studies, and we hope that scholars from all areas of interest would join us. Participating in this third meeting of the group does not imply any obligation for participating in future meetings or participation in previous meetings. We hope, however, that participants will be involved in building a strong community on this topic for future activities reflecting the diversity of interests in the community.<br /><br />
Format(s) of the presentations<br /><br />
We encourage people to do both traditional and non-traditional presentations:<br />1) Oral presentation of ideas:<br />We strongly encourage giving a free oral presentation rather than reading a paper. We wish to facilitate open debates for sharing and ask for presentations creating platforms for debate. A presentation cannot exceed 20 min. but we encourage very short presentations (5-10 min.) of an idea and motivation making space for creating a discussion around this idea.<br />2) Performance, object or alternative forms:<br />You can present ideas, examples or reflections through other formats including inviting the participants to engage in experiments, situations, or individual and group activities. Please indicate the optimal time for this form of presentation, however there is a maximum of 30 min including time for feedback.<br /><br />
Please submit via email to the coordinators:<br />circle2@nsuweb.org<br /><br />
A written proposal (max. 350 words) with a title. This text should include your presentation proposal, its format, its duration, and technology and/or facilities you may need as well as a short bio (max. 100 words)<br /><br />
If you would like to attend the symposium without presenting, please email a short bio. Participants with presentations will be given priority.<br /><br />
The study circle provides a space for theoretical experimentation and the cross-fertilization of methodologies. It aims at developing insights that can be used in further research. We invite you for exchange and debates in an open environment of people with different backgrounds.<br />The deadline to submit proposals is December 15, 2016. Notification about acceptance will be given before 31 December. A preliminary program will be announced on January 15, 2017 on http://nordic.university/study-circles/2-appearances-of-the-political/appearances-of-the-political/ where you can also find more information about NSU. Applicants will be informed by e-mail.<br /><br />
Registration and fee<br /><br />
Professors, lecturers and other professional scholars 50€<br />Students, unemployed, freelancers and participants from Baltic countries and Poland: 30 € Fee covers expenses for lunch Saturday and Sunday, coffee breaks and reception Friday evening The fee should be paid ABSOLUTELY NO LATER THAN JANUARY 10. The letter of acceptance will contain a bank account. NOTE: Bank fees are at the charge of the participant. Please notice that fee or other costs will not be reimbursed if the participant cancels.<br /><br />
The Nordic Summer University (NSU) is a Nordic network for research and interdisciplinary studies.<br />NSU is a nomadic, academic institution, which organises workshop-seminars across disciplinary and national borders. Since it was established in 1950, NSU has organised forums for cultural and intellectual debate in the Nordic and Baltic region, involving students, academics, politicians, and intellectuals from this region and beyond.<br /><br />
Decisions about the content and the organisational form of the NSU lay with its participants. The backbone of the activities in the NSU consists of its thematic study circles. In the study circles researchers, students and professionals from different backgrounds collaborate in scholarly investigations distributed regularly in summer and winter symposia during a three-year period.<br /><br />
For more information www.nordic.universityUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-18735623858957587992016-08-29T14:26:00.002+02:002016-08-29T14:26:35.781+02:00Wroclaw, here we come<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-US;">Appearance of the Political will travel to Wroclaw Poland in late February and organize a syposium there. It will
be organized together with the circles Understanding Migration in Nordic and
Baltic Countries (1), Crisis and Crisis Scenarios (3) and International
Relations and Human Rights (5). There will be joint sessions shared by all
circles.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 107%; mso-ansi-language: EN-US;">More info and CFP soon.</span></div>
<br />
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-7689750006989700862016-08-29T14:16:00.001+02:002016-08-29T14:16:01.185+02:00Papers from summer 2016Plarent Aleksi, <em>Political and Social Reality, “Panama Papers”; false politics and the social consequences (adherence to IS of young Europeans)</em><br />
Epp Annus, <em>Being singular plural: community, agency, authenticity in the context of Socialist realism</em><br />
Corinna Casi, <em>”Political”: What does it mean. Open workshop.</em><br />
Carsten Friberg, <em>The Production of genius loci. Reflections on the ideologies of modern places</em><br />
Aniruddha Gupte, <em>Synthesizing Solutions. An exploration of the
modern relevance of socialist East German design principles through the
medium of plastics</em><br />
Johann Aarup Hansen, <em>Inventing the future – The making of neoliberal hegemony</em><br />
Gioia Laura Iannilli, <em>Design and Fashion, or the aesthetics of surface. How the immediacy of the aesthetic shape our everyday lives.</em><br />
Iiris Konttinen, <em>T</em><em>he Berlin wall as a heterotopian site</em><br />
Noora-Helena Pauliina Korpelainen, <em>Aesthetic Experience and Yoga Practice</em><br />
Karolina Enquist Källgren, <em>Figura, expression and the inauthentic subject in the thinking of María Zambrano</em><br />
Eret Talviste, <em>Affect and Nationalism: The Singing Revolution in Estonia between 1988 and 1991</em><br />
Bill Thompson, <em>What Happens to Deduction in the Here and Now?</em><br />
Emma Ward, <em>‘The Real of Sex’: Identity and Authenticity, Sex and Gender Politics in Mina Loy’s Short Stories and Unpublished Manuscripts</em><br />
Raine Vasquez, <em>Towards the Possibility of a Political Art </em><br />
Margus Vihalem, <em>Is there a Soviet aesthetics? Experiencing the sensible of the Soviet era</em><br />
<br />
Participanting also:<br />
Stine Avlund<br />
Þórný Barðadóttir<br />
Max RyynänenUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-37872073426414923732016-08-29T14:15:00.000+02:002016-08-29T14:15:03.284+02:00Summer, CFP and reportAppearances of the Political was active in Orivesi July 24-31 as a part of the Summer Session of the Nordic Summer University. There were again over 20 active participants in the sessions. This time Max Ryynänen was taking part in organizing the infrastructure for the whole Summer Session and Raine Vasques was the coordinator together with Carsten Friberg.<br />
<br />
Below you find the CFP for July 2016. <br />
<br />
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<span lang="EN-US" style="mso-ansi-language: EN-US;">CALL FOR Presentation 2016</span><br />
<br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">Appearances of the Political
in 20th century culture</span><br />
<br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">Appearances of the
Political</span><br />
<br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">Summer Symposium: 24-31
July, Orivesi, Finland</span><br />
<br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">Invitation We invite
scholars, students, artists and practitioners to take part in investigating the
many forms by which we experience the presences of political reality, and in
approaching these forms from social, artistic, aesthetic and cultural analysis.
We wish to articulate the ideological forces underlying today’s political
thinking. We also want to inaugurate a debate on the role of cultural
approaches in political analysis. We wish to break new paths in connecting the
cultural humanities and the political sciences and invite participants to
bravely explore new ways of studying the issue. We believe that experimentation
is crucial for rethinking the political.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">Theme of the symposium:<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">In this summer session we
explore historical examples from the 20th century of how the political has
appeared, both intentionally and unintentionally. Examples can be movements
with explicit programs for forming the modern, or future, world such as Russian
Constructivism, Modernist architectural program and sub- or countercultural
movements. Examples can also be cultural forms that are unintentionally, or at
least without an explicit awareness, appearances of political ideologies, such
as urban planning, consumer culture and fashion.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">Such historical examples
can take many forms, like the transformation of personal appearances in dress
and hair-style in the '60s and '70s displayed in the period’s fashion and
anti-fashion, including specific styles like punk and fetishized expressions of
the military forms of guerrilla soldiers and freedom fighters. Or, for
instance, the cold war had many forms of political expressions in both Soviet
ideas of political manifestations in ideological decorations as well as the
organisation of build environments.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">The examples are numerous
in art, literature, design and fashion as well as in organisation of work,
culture, communication and entertainment, and include explicit political
actions in fights for rights (workers, women, and minorities), movements of
liberation across the world, and of political struggles, as well as the
implicit forms of oppression preserved through cultural exercised routines.<br />
We encourage the participants to share analysis and criticism of concrete
examples and discussions hereof or to share texts throwing light on the topic
and offering platforms for critical discourses.<br />
Format(s) of the presentation:<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">We are encouraging
traditional and non-traditional presentations, including:<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">1) Presentation of work:<br />
We strongly encourage giving a free oral presentation rather than reading a
paper. We wish to facilitate open debates for sharing and ask for presentations
creating platforms for debate.<br />
A presentation cannot exceed 20 min.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">2) Presentation of a text:<br />
You can offer to present a text, which can be either your own writing or the
examination and presentation of another’s published text. The text will be
distributed to all participants beforehand and should not exceed 25 pages. The
presentation should have the form of a short introduction of the argumentation,
facilitating participants to engage in discussion.<br />
The presentation of the text cannot exceed 15 min followed by discussion<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">3) Performance, object or
alternative forms:<br />
You can present ideas, examples or reflections through other formats including
inviting the participants to engage in experiments, situations, or individual
and group activities.<br />
Please indicate the optimal time for this form of presentation.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">Please submit via email to
the coordinators:<br />
carsten.friberg@nsuweb.org<br />
raine.vasquez@nsuweb.org<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">1. A written proposal (max.
350 words) with a title and descriptive subtitle. This text should include your
presentation proposal, its format, its duration, and technology and/or
facilities you may need.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">2. A short bio (max. 100
words)<br />
If you would like to attend the symposium without presenting, please email a
short bio. Participants with presentations will be given priority.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">The study circle provides a
space for theoretical experimentation and the cross-fertilization of
methodologies. It aims at developing insights that can be used in further
research.<br />
We invite you for a week of exchange and debates in an open environment of
people with different backgrounds. Presentations are meant to be rather short,
while space for discussions pursuing ideas are central for the circle and will
be given considerate space during the week.<br />
The deadline to submit proposals is 8 May, 2016. The preliminary program will
be announced on May 15, 2016 on www.nordic.university where you can also find
more information about NSU and sign up for the newsletter.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">Application process and
registration: The application process has two steps: (1) Application to
coordinators for acceptance. Application starts 1st of April and closes on 8th
of May.<br />
(If you wish to participate without presentation you can apply until 25th of
May. Also, you can still apply late in case of vacant slots by contacting the
coordinators and submitting an abstract.)<br />
(2) After you have been accepted, the next step is registration and payments,
which closes on 1st of June. All registration and payment will be done
electronically.<br />
Note: if you apply late, the payment must still be completed by the 1st of
June.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">Accomodation – the prices
include all meals during the entire seminar. All priaces in €: Single room: 550
Double room: 320 Family members (in double room): 380 Children over 12 years:
380 Children between 4-12 years: 250 Children between 2-4: 46 Children less
than 2 years: 0<br />
NSU offers a number of grants and scholarships: Grants: 100 Sholarships: 80<br />
Application for grant or scholarship must be send to the coordinators no later
than 15 April<br />
Please cite motivation for the application for a grant (such as being freelance
or unemployed).<br />
We favour participants from Baltic countries for grants.<br />
Notification for applicants is given 1 May.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">Arrival: 24 July<br />
Departure: 31 July<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">For any questions about
presentation, registration and NSU, please contact:<br />
carsten.friberg@nsuweb.org or raine.vasquez@nsuweb.org<br />
About the Study Group The intention of Appearances of the Political is to
create a platform for future collaborations and applications, and to exchange
knowledge and share common interest. It is important for the group to consult a
variety of fields as broad as possible including political theory, philosophy,
communication, social sciences and cultural studies, and we hope that scholars
from all areas of interest would join us. Participating in this meeting of the
group does not imply any obligation for participating in future meetings. We
hope, however, that participants will be involved in building a strong
community on this topic for future activities reflecting the diversity of
interests in the community. Future seminars will focus on Material Culture,
Activism, Political Art and Aesthetics in the Everyday, and Communication. We
are open to any propositions concerning collaboration, partners and sites.
Please bookmark the study circle on NSU’s webpage:
http://nordic.university/study-circles/2-appearances-of-the-political/ and the
blog of the study circle: http://appearancesofthepolitical.blogspot.com<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">The Nordic Summer
University (NSU) summer session is a one-week seminar bringing all 8 NSU study
circles together. While each circle holds their seminar, the week also contains
common activities, including two Key-note’s each giving two presentations,
(this summer Professor Robert Pfaller and Professor Elizabeth Povinelli) as
well as a cultural program. There is an additional Children’s circle, where
caretakers look after the children while the parents are in their respective
seminars - it is thus possible to bring family to the summer session. The
summer session includes NSU’s political institutions and any participant is
eligible. Participants are a mix of university professors, academics in
different positions inside as well as outside institutions, PhD-, and
MA-students, artists, cultural producers and any others with a relation to
academic work.<br />
The Nordic Summer University (NSU) is a Nordic network for research and interdisciplinary
studies.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><br />
<span lang="EN-US" style="mso-ansi-language: EN-US;">NSU is a nomadic, academic
institution, which organises workshop-seminars across disciplinary and national
borders. Since it was established in 1950, Nordic Summer University has
organised forums for cultural and intellectual debate in the Nordic and Baltic
region, involving students, academics, politicians, and intellectuals from this
region and beyond.<br />
Decisions about the content and the organisational form of the NSU lay with its
participants. The backbone of the activities in the NSU consists of its
thematic study circles. In the study circles researchers, students and
professionals from different backgrounds collaborate in scholarly
investigations distributed regularly in summer and winter symposia during a
three-year period.</span><br />
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<![endif]-->Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-40225653061400470252016-04-06T10:23:00.001+02:002016-04-06T10:37:53.961+02:00RIGA, Feb 22-23 (2016): Identifying the Political<div class="separator" style="clear: both; text-align: center;">
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<i>Appearances of the Political </i>had a nice start (1/6) in Riga with <i>IDENTIFYING THE POLITICAL. Conceptual Analysis: Rhetoric, Poetics and Populist Talk in Contemporary Politics</i>. It was held in the main building of University of Latvia (Raiņa bulvāris 19). Our partners, scholar Pauls Daija, dean Dace Balode, and the Faculty of Theology at the University made us very happy by being great in both dialogue and infra-structure.<br />
<b><br /></b>
The sessions were held February 22-23, 2016 and the program can be found <a href="http://nordic.university/wp-content/uploads/2016/02/WS-2016-Circle-2-Program.pdf">here</a>. The weather was fine (for the Northern Hemisphere) and we had a public / participatory group between 25 and 30 throughout the seminar, two great dinners and a couple of nice lunches at the university's own canteen.<br />
<br />
After the Summer session in Orivesi July 2016 - see<a href="http://nordic.university/wp-content/uploads/2016/03/CFP-NSU-Study-Circle-2-Summer-2016.pdf"> CFP here</a> (Raine Vasquez will take Max's role here) - we will organize a winter session together with the International Relations and Human Rights circle run by Olga Breskaya and Mogens Chrom Jakobsen next winter in St. Petersburg. More info coming in the fall!<br />
<br />
We are also negotiating about becoming one event in the next Biennale of Athens. Thumbs up!<br />
<b><br /></b>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-32944334129073382242016-02-05T16:41:00.001+01:002016-02-05T16:41:33.132+01:00Program<strong>program</strong><br />
<strong>IDENTIFYING THE POLITICAL</strong><br />
<strong>Conceptual Analysis: Rhetoric, Poetics and Populist Talk in Contemporary Politics</strong><br />
<strong><em>Appearances of the Political 1/6</em></strong><br />
Winter Symposium: February 22-23, 2016, University of Latvia (Main Building, Raiņa bulvāris 19) in collaboration with <strong>University of Latvia</strong><br />
<u>Monday 22 Feb</u><br />
9.00-10.30 Welcome, presentation of seminar, circle, NSU, participants<br />
10.00-10.30 <strong>Johanne Aarup Hansen, </strong><em>The political aspects of form</em><br />
10.30-10.45 Break<br />
10.45-11.15 <strong>Eret Talviste, </strong><em>The Appearance of the Political in Fictional and Non-Fictional Peripheral Areas</em><br />
11.20-11.50 <strong>Raine Vasquez, </strong><em>Challenges in Outlining the Possibility for a Political Art</em><br />
11.55-12.25 <strong>Laine Kristberga, </strong><em>The Unnoticed Art in Latvia: Pantomimes, Happenings and Carnivals</em><br />
12.25-13.30 Lunch<br />
13.30-14.00 <strong>Corinna Casi, </strong><em>Political Decisions in Landscape Choices: How the choice of a landscape or a natural species can be political?</em><br />
14.05-14.45 <strong>Minna Heikinaho, </strong><em>The body relates with other and begin to speak. The author is not required </em>(outside)<br />
14.45-15.00 Break<br />
15.00-15.30 <strong>Henrik Juel, </strong><em>A Study in the Rhetoric of the TV-camera – How powerful political figures are being presented on TV and video</em><br />
15.35-16.05 <strong>Sergei Kruk &</strong> <strong>Ilva Skulte, </strong><em>Disappearance of the political. Computer analysis of Latvian parliamentary discourse</em><br />
16.10-16.40 <strong>Valdis Teraudkalns, </strong><em>Performing morality: recent debates on values in Latvia</em><br />
16.45- Conclusions, comments, chatting<br />
<u>Tuesday 23 Feb</u><br />
9.00-9.30 Reflections on yesterday<br />
9.30-10.00 <strong>Ott Puumeister,</strong> <em>The original finitude of the population and the discourse of survival</em><br />
10.30-10.45 Break<br />
10.45-11.15 <strong>Max Ryynänen, </strong>Could political concepts be studied as aesthetic concepts?<br />
11.20-11.50 <strong>Nils S. Konstantinovs, </strong><em>Catchers in the Rye: The Politics of Childhood. Constructing Image of a Child in Latvian Political Discourse</em><br />
11.55-12.25 <strong>Carsten Friberg, </strong><em>The End of Enlightenment? – Or, how did academia loose its ideals?</em><br />
12.25-13.30 Lunch<br />
13.30-14.00 <strong>Bill Thompson, </strong><em>Solipsism as a Research Method</em><br />
14.05-14.45 <strong>Ann Mirjam Vaikla,</strong> <em>Endeavour of Remembrance Descriptive. Investigation of the phenomenon memorial</em><br />
14.45-15.00 Break<br />
15.00-15.30 <strong>Marija Semjonova, </strong><em>Searching for Woman Face of the Age of Perestroika: Sofi Oksanen’s “Stalin’s Cows” (2003)</em><br />
15.35-16.05 <strong>Olga Petrova</strong><br />
<em>Possible security and economic consequences for the European countries during the migration process from the Middle East</em><br />
16.10- ConclusionUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-22400545367451302602015-09-20T10:35:00.001+02:002015-10-01T13:06:23.907+02:00CFP<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 4"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 7"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 8"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="0" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" Priority="0" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
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<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
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<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">Forms of
Appearances of the Political in Contemporary Democracies 1/6</span></div>
<div class="MsoNormal">
<br />
<br /></div>
<div class="MsoNormal">
<b><span style="color: black; mso-themecolor: text1;">IDENTIFYING
THE POLITICAL</span></b></div>
<div class="MsoNormal">
<b><span style="color: black; mso-themecolor: text1;">Conceptual
Analysis: Rhetoric, Poetics and Populist Talk in Contemporary Politics</span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">University of Latvia (Main Building, </span>Raiņa bulvāris 19).<span style="color: black; mso-themecolor: text1;"> February 22-23, 2016.</span></div>
<div class="MsoNormal">
<br />
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">The Nordic
Summer University (NSU) study group Forms of Appearances of the Political in
Contemporary Democracies announces a CFP for its winter symposium. The first session
of the group will be organized<span style="mso-spacerun: yes;"> </span>in cooperation
with the Latvian University in Riga, Latvia.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">The topic, Identifying
the Political, will address the verbal play and its connection to physical
presences of today’s political reality and approach it from the point of view
of social, artistic, aesthetic and cultural analysis.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">By focusing
on the conceptual base of the appearances of the political we wish to
articulate clearly the artistic, aesthetic and cultural forces underlying today’s
political thinking. We also want to inaugurate a debate on the role of cultural
approaches in political analysis. To really discuss the political we need to
establish a deeper understanding of the key concepts and their cultural
extensions before elaborating on other forms of investigating them.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">This could,
for example, be related to the impact of concepts like migration
/ refugee. What cultural significance do these (or any similar politically
explosive) concepts anchor to?</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">We wish to
break new paths in connecting the cultural humanities and the political
sciences. This symposium thus invites the participants to explore bravely new
ways of studying the issue. We believe that experimentation is crucial for rethinking the political.</span><br />
<br />
<span style="color: black; mso-themecolor: text1;">Our partner in the winter session 2016 is the <a href="http://www.lu.lv/eng/">University of Latvia</a> in Riga and we collaborate closely with Pauls Daija, Institute of Literature, Folklore and Art & the Faculty of Theology.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">About the
Study Group</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">The intention
of Forms of Appearances of the Political in Contemporary Democracies is to
create a platform for future collaborations and applications, and to exchange
knowledge and share common interest. It is important for the group to consult a
variety of fields as broad as possible including political theory, philosophy,
communication, social sciences and cultural studies, and we hope that scholars
from all areas of interest would join us.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">Participating
in this first meeting of the group does not imply any obligation for
participating in future meetings. We hope, however, that participants will be
involved in building a strong community on this topic for future activities
reflecting the diversity of interests in the community. Future seminars will
focus on History, Material Culture, Activism, Political Art and Aesthetics in
the Everyday, and Communication. The list of sites for the study circle is
planned to be of the following order: Riga, Orivesi (NSU Summer Camp),
Bratislava, St. Petersburg, Berlin (NSU Summer Camp) and Copenhagen, but changes
and additions might apply. And we are open to any propositions concerning collaboration
partners and sites.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">We invite
proposals for presentations addressing different problems relating to this
call. We hope that academicians, artists, students, third sector agents and intellectuals
would participate. Please don’t hesitate to ask any questions from the
coordinators!</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">Format of
presentation can be either:</span></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">15 minutes
presentation + 15 minutes discussion</span></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">or</span></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">30 minutes
presentation + 10 minutes discussion.</span></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">Please
indicate your wish in the abstract!</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">We encourage
you to give an oral presentation, i.e. no dry reading of a paper or reading
from texts on power points (use power points for pictures, illustration of
similar material). What matters is the content and what you have to say, not
the rhetorical performance. Any form of experimental presentation is very much
welcomed.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">Submit an
abstract (300-500 words) via e-mail to the coordinators Max Ryynänen &
Carsten Friberg: <a href="mailto:circle2@nsuweb.org"><span style="color: black; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black;"><span style="color: black; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: black;">max.ryynanen@nsuweb.org and/or carsten.friberg@nsuweb.org.</span></span></a></span></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">If you wish
to participate without giving a presentation, please write a short (150-300
words) description of yourself.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">Deadline of
submitting: November 30, 2015.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">The
applications will be viewed ASAP. Applicants will be notified of their acceptance
no later than December 15. Preliminary program will be announced late December 2015.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">Later
submission is possible but we will prioritize early submissions.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">The
participation fee:</span></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">Students,
unemployed and freelancers €30</span></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">Baltic
students €10</span></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">Others €50.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">We will use
the fees to cover some food and other expenses for the participants.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">Please
bookmark the blog of the study circle: http://appearancesofthepolitical.blogspot.com.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black; mso-themecolor: text1;">Link to the
Nordic Summer University <a href="http://nordic.university/">here</a>.</span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-2038869513474304126.post-89676310341495122822015-09-18T17:06:00.001+02:002015-09-23T07:58:12.767+02:00Appearances of the Political in <!--[if gte mso 9]><xml>
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<b><span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Appearances of the political.</span></b><span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;"></span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;"><br /></span></div>
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;"> </span><div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">This study circle aims at investigating the aesthetic appearance and the
experiences of the political in contemporary democracies. What form does the
political have today? How do we make sense out of it?</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">By the political we understand political acts and manifestations in all
forms including not only debates and decisions but also institutional and
material organization as well as communication and actions of everyday living.
The political is thus a wider notion than political institutions and
philosophies; it includes how our everyday is embedded in ideologies forming
our thoughts and actions.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">The focus on appearance is a focus on forms in which the political
appears, thus a question of</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">aesthetics and aestheticization. This, again, covers a wide range of
phenomena fromthe direct use of</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">aesthetic means in the staging and presentation of politicians and
events of political significance to the</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">organization of our environment. A central phenomenon is the way the
media aestheticizes politics</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">making the media the heart of the everyday both for what is said and how
it is said.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">This topic is covered by a variety of disciplines such as aesthetics,
rhetoric, communication, material culture studies, anthropology, sociology,
gender studies, pedagogy, and philosophy. The aim of the study circle is to
bring these different disciplines into dialogue based on expertise in each
discipline and the importance of including knowledge from other disciplines.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText" style="margin-bottom: 12.0pt;">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Full presentation - note the aim is identical
to the short presentation so im case the full presentation os placed after the
short presentation it may not make sense to repeat this part.</span></div>
<div class="MsoBodyText">
<b><span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Aim of the proposal</span></b><span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;"></span></div>
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<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">This study circle aims at investigating the aesthetic appearance and the
experiences of the political in contemporary democracies. What form does the
political have today? How do we make sense out of it?</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">By the political we understand political acts and manifestations in all
forms including not only debates and decisions but also institutional and
material organization as well as communication and actions of everyday living.
The political is thus a wider notion than political institutions and
philosophies; it includes how our everyday is embedded in ideologies forming
our thoughts and actions.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">The focus on appearance is a focus on forms in which the political
appears, thus a question of</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">aesthetics and aestheticization. This, again, covers a wide range of
phenomena fromthe direct use of</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">aesthetic means in the staging and presentation of politicians and
events of political significance to the</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">organization of our environment. A central phenomenon is the way the
media aestheticizes politics</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">making the media the heart of the everyday both for what is said and how
it is said.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">This topic is covered by a variety of disciplines such as aesthetics,
rhetoric, communication, material culture studies, anthropology, sociology,
gender studies, pedagogy, and philosophy. The aim of the study circle is to
bring these different disciplines into dialogue based on expertise in each
discipline and the importance of including knowledge from other disciplines.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<b><span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">The work of the study circle</span></b></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Themes of the circle, corresponding to the six seminars:</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">- <i>Conceptual analysis</i>. The intention of the study circle is to
create a platform for future collaborations and applications. This makes it
crucial to establish a conceptual common ground making explicit the
understanding of key concepts and elaborating on different forms of
investigation to create a platform for sharing common interest and exchanging
of knowledge. It is important for the circle to consult more fields including
political theory, philosophy, communication, social sciences and cultural
studies.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">- <i>Historical</i>. For a common platform serves also analysis of 20th
century phenomena. The '60s and '70s displayed a wide range of new forms of
appearances of political activities like, for example, personal appearance in
fashion and anti-fashion including specific styles like punk and fetishizing
expressions of military forms of guerrilla soldiers and freedom fighters. Also
the cold war had many forms of political expressions in both Soviet idea of
political form and free market informed ideology. </span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">- <i>Material culture</i>. Public space is planned and organised in
accordance with particular political ideas, not least of free market and
consume. Functionalist architecture has displayed ideas of educating the modern
citizen while also enhancing specific, unintended, ideas of modern life such as
individualism as goes the Situationist critique.</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">In similar fashion design contributes to forming physical space in
accordance with ideologies and intentions. Design is important for how we view
space: how it is accessible, hierarchies, limitation of certain actions. Design
is also used for changing actions like forming social and environmental
sustainability. </span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">- <i>Activism</i>. Since the1960s the active forms of the political have
been plural from marches and manifestations over interventions and happenings
to more radical forms like occupations and violent forms such as terrorism. In
recent years we have witnessed a revitalisation of mass movements by use of
internet and social media, creation of new movements like Occupy and
Indignados, and new activities like the hacktivism of Anonymous. In relation to
environment we find guerrilla gardening along with local protests against
corporate use of natural resources engaging people across traditional political
groupings. Many forms of activism also face political resistance defining - or
redefining - the political space threatening democratic rights with agendas of
terrorism challenging or reshape the space for political activism.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">- <i>Political arts and aesthetics in the Everyday</i>. The power’s have
always had an alliance with art defining and supporting art as official appearance
of the ruling ideology. This is no less the case today, the powers only have
changed from kings to consensual ideologies in the democracies. At the same
time a whole margin of contemporary art is actually activist, having impact
both in politics and the art world. A possible case to look into is the
Ultracontemporary biennale in Copenhagen 2017. This will be studied with
cooperation with political artists. Artistic research and experimental artistic
work will so meet the already cross-scientific work of the circle, and help to
both mirror it and to provide new alternative ways of looking at the subject.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="background: white; font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">- <i>Communication</i>. Media have in many ways
changed our ways of communication, both concerning content and form. The use of
social media can be seen as an expansion of the public debate becoming easy
accessible to all, though also changing ethical standards of what can be said
as well as changing discourses from arguments into statements. They are also
operating on terms not known, like algorithms, and becoming a battlefield for
political and economic powers </span><span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">deeply embedded in different forms of control.<span style="background: white;"> </span></span></div>
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<br /></div>
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<br /></div>
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<b><span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Nordic relevance</span></b></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">While there are more individuals and institutions in the Nordic/Baltic
area concerned with studies in topics related to aesthetics and cultural
studies there are, to our knowledge, not an established strategy or even
research groups dedicated to studying the appearances of the political in our
culture combining research from a philosophical/conceptual approach with also
analysis of specific cases using skills of social and human sciences. The big
issue is as well to bring in aesthetic inquiry into the world of politics.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Political engagement and communication is rapidly changing these years.
The Nordic countries have a tradition for an inclusive democracy through
institutions such as unions and NGOs as well as citizen’s groups related to
specific topics. To develop analysis of this forms also an important starting
point for discussing different forms of appearances as well as sharing experiences
between Nordic traditions and other European countries.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">The theme of the circle makes is obvious that activities are not only of
interest for researchers but also for a wider public with whom the circle
should aim at having more dialogues both for learning from practice and also
for informing practice.</span></div>
<div class="MsoBodyText">
<br /></div>
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<br /></div>
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<b><span lang="EN-US" style="background: white; font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Methodological considerations for the running of the
study circle</span></b><span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;"></span></div>
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<br /></div>
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<u><span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Motivation</span></u><span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;"></span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">The political in democracies seems to become both present in an
increasing plurality of forms as well as to disappear or at least to be emptied
of political content.</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Modern media seems, as one example, an invitation to a more widespread
and elaborate appearance of the political offering both access to news and
information as well as participation. Social media has rapidly taken a central
position in many political acts, however also contributing to transforming
political discourses into easy and non-committal opinions. Similar the
political communication is becoming a professionalised activity of political
communication and new-speech where the political debate is more a matter of the
form of presentation than ideas and visions. This contributes to influencing
the participation in the political life and to mistrust in politicians and
political institutions. Parallel to this the public space becomes increasingly
appropriated by consume and market as an ideology forming public space thus
public opinion. Such phenomena could be seen as examples of how the political
debate and awareness is becoming suppressed in western societies.</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">The motivation of the study-circle is found in experiences of how the
political is made present, in how these forms are developing and transformed,
and in what consequences these forms of appearance have.</span></div>
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<br /></div>
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<b><span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Plan</span></b></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Winter 2016, Riga </span></div>
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<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Conceptual analysis</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Summer 2016</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Historical</span></div>
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<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Winter 2017, Saint Petersburg</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Material culture</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Summer 2017</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Activism</span></div>
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<br /></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Winter 2018, Tallinn</span></div>
<div class="MsoBodyText">
<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Political art and aesthetics in the Everyday</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Summer 2018</span></div>
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<span lang="EN-US" style="background: white; font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;">Communication</span><span lang="EN-US" style="font-family: "Cambria",serif; mso-ansi-language: EN-US; mso-bidi-font-family: Cambria; mso-fareast-font-family: Cambria;"></span></div>
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table.MsoNormalTable
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mso-pagination:widow-orphan;
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<![endif]-->Unknownnoreply@blogger.com0